<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[subject results for "Portrait photography."]]></title><description><![CDATA[subject results for "Portrait photography."]]></description><link>https://gateway.bibliocommons.com/v2/libraries/austin/rss/search?query=%22Portrait%20photography.%22&amp;searchType=subject&amp;origin=core-catalog-explore&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Sun, 19 Apr 2026 14:20:59 GMT</lastBuildDate><item><title><![CDATA[Women]]></title><description><![CDATA["Selected for Oprah's Favorite Things 2025 In this two-volume coll ection of portraits, legendary photographer Annie Leibovitz presents a powerful celebration of women in all of their diversities."--Provided by publisher.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C2285733</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C2285733</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Leibovitz, Annie]]></dc:creator><pubDate>Fri, 31 Jan 2025 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/2285733067</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781837290499/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Humans]]></title><description><![CDATA["Brandon Stanton's new book, Humans ... shows us the world. Brandon Stanton created Humans of New York in 2010. What began as a photographic census of life in New York City, soon evolved into a storytelling phenomenon. A global audience of millions began following HONY daily. Over the next several years, Stanton broadened his lens to include people from across the world. Traveling to more than forty countries, he conducted interviews across continents, borders, and language barriers. Humans is the definitive catalogue of these travels. The faces and locations will vary from page to page, but the stories will feel deeply familiar. Told with candor and intimacy, Humans will resonate with readers across the globe-providing a portrait of our shared experience"--]]></description><link>https://austin.bibliocommons.com/v2/record/S67C2129608</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C2129608</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Stanton, Brandon]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/2129608067</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781250114297/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[On the Road With Texas Highways]]></title><link>https://austin.bibliocommons.com/v2/record/S67C1069418</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1069418</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Smith, J. Griffis]]></dc:creator><pubDate>Fri, 31 Jan 2014 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1069418067</comments><format>BK</format><subtitle>A Tribute to True Texas</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781623491833/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[American Portrait]]></title><description><![CDATA["Based on the popular and groundbreaking PBS multiplatform documentary project, this is an inspiring and striking photographic portrait that brilliantly captures the tumultuous, historic year that was 2020. American Portrait offers an intimate look at what it really means to be an American today, revealed through the stories of ordinary people and in their own voices. Told by people of all ages, orientations, and walks of life, these unique stories of joy, adversity, love, sacrifice, grief, sharing, triumph, and grace--centered on the themes of family, work, fun, faith, community, and more--illuminate the struggles, hopes, dreams, and convictions of Americans today. American Portrait is a vital and ultimately hopeful reminder that what we all share is much greater and enduring than what may divide us"--Page 4 of cover.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C2145990</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C2145990</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/2145990067</comments><format>BK</format><subtitle>The Story of Us, Told by Us</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780063098909/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Humans of New York, Stories]]></title><description><![CDATA["In the summer of 2010, photographer Brandon Stanton began an ambitious project--to single-handedly create a photographic census of New York City. The photos he took and the accompanying interviews became the blog Humans of New York. Ever since Brandon began interviewing people on the streets of New York, the dialogue he's had with them has increasingly become as in-depth, intriguing and moving as the photos themselves. Humans of New York: Stories presents a whole new group of people in stunning photographs, with a rich design and, most importantly, longer stories that delve deeper and surprise with greater candor."--]]></description><link>https://austin.bibliocommons.com/v2/record/S67C1411646</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1411646</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Stanton, Brandon]]></dc:creator><pubDate>Sat, 31 Jan 2015 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1411646067</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781250058904/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Corky Lee's Asian America]]></title><description><![CDATA["A posthumous collection of over 200 breathtaking photographs that document the history and cultural impact of the Asian American social justice movement, through the lens of beloved photographer Corky Lee--the man who sought to change the world one photograph at a time Using his camera as his pen and sword, Corky Lee documented Asian American-Pacific Islander communities for fifty continuous years, breaking the stereotype of Asian Americans as docile, passive, and, above all, foreign to this country. Corky Lee's Asian America is a stunning retrospective of his life's work--a selection of the best photographs from his vast collection, including those he personally chose before he passed, from his start in New York's Chinatown to his coverage of diverse Asian American communities across the country. The pages in this book unfold Lee's decades-long quest for photographic justice, tracking AAPI social movements for recognition and rights alongside Corky's artistic development as a social photographer and activist. Iconic photographs of protests against police brutality in New York in the 1970s, a Sikh man draped in an American flag post-9/11, and a reenactment of the completion of the transcontinental railroad featuring descendants of Chinese railroad workers, live side by side with photos of New York's Chinatown from the inside--a child sitting on a tenement fire escape, a Chinese woman driving her taxi, an opera singer sitting on a park bench adjusting her hair, a package of laundry, waiting to be picked up. Asian American writers, artists, activists, and friends of Lee--including a foreword from writer Hua Hsu and essays from filmmaker Renée Tajima-Peña, writer Helen Zia, historians Gordon Chang and Vivek Bald, playwright David Henry Hwang, and TK--provide rich historical and cultural context to the photographs, while reflecting on their relationships to Lee. Corky Lee's Asian America represents Lee's mission to write a history of inclusion, resistance, ethnic pride, and patriotism. This is a remarkable documentary collection of that history in the moments of its making, but it's also a history that we continue to make"--]]></description><link>https://austin.bibliocommons.com/v2/record/S67C2220410</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C2220410</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Lee, Corky]]></dc:creator><pubDate>Wed, 31 Jan 2024 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/2220410067</comments><format>BK</format><subtitle>Fifty Years of Photographic Justice</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780593580127/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Koreatown Dreaming]]></title><description><![CDATA["A successful self-published project, now in a new and expanded trade package, Koreatown Dreaming offers readers an intimate look into the lives of shopkeepers and small business owners in Los Angeles Koreatown. A touching homage to Korean immigrants everywhere, this book will resonate with the growing audience of people interested in Korean culture"--]]></description><link>https://austin.bibliocommons.com/v2/record/S67C2211318</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C2211318</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Hahn, Emanuel]]></dc:creator><pubDate>Tue, 31 Jan 2023 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/2211318067</comments><format>BK</format><subtitle>Stories and Portraits of Korean Immigrant Life</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780762484584/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Gordon Parks]]></title><description><![CDATA["This expanded edition of Gordon Parks' 'Segregation Story' includes around 30 previously unpublished photographs, as well as enhanced reproductions created from Parks' original color transparencies; newly discovered descriptions Parks wrote for the photographs; a manuscript of film-developing instructions and captions Parks authored with Samuel F. Yette; previously published texts by the late art historian Maurice Berger and the esteemed journalist and civil rights activist Charlayne Hunter-Gault; and a new essay by artist Dawoud Bey. After the photographs were first presented in a 1956 issue of Life magazine, the bulk of Parks' assignment was thought to be lost. In 2011, five years after Parks' death, the Gordon Parks Foundation found more than 200 color transparencies belonging to the series. In 2014 the series was first published as a book, and since then new photographs have been uncovered. In the summer of 1956, Life magazine sent Gordon Parks to Alabama to document the daily realities of African Americans living under Jim Crow laws in the rural South. The resulting color photographs are among Parks' most powerful images, and, in the decades since, have become emblematic representations of race relations in America. Pursued at grave danger to the photographer himself, the project was an important chapter in Parks' career-long endeavor to use the camera as a weapon for social change. -- publisher's statement." --]]></description><link>https://austin.bibliocommons.com/v2/record/S67C2188586</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C2188586</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Parks, Gordon]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/2188586067</comments><format>BK</format><subtitle>Segregation Story</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9783969990261/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Take your Selfie Seriously]]></title><description><![CDATA["What can a selfie do for you? Lift your mood? Sell your brand? Or maybe change your life? Move over those all-too-familiar, Instagram-clogging snapshots, this is the art of the Advanced Selfie. This book is a make-over for your digital profile. Learn how to pose, use light, edit properly and discover many other tips from creating successful selfies. Whether you're a content creator, a photographer, model or you're just looking to have some fun with your image online, taking your selfie seriously will unleash a whole new world of opportunity"--Publisher's description.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C2162431</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C2162431</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Amore, Sorelle]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/2162431067</comments><format>BK</format><subtitle>The Advanced Selfie and Self-portrait Handbook</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781786279040/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Black Ivy]]></title><description><![CDATA[From the most avant-garde jazz musicians, visual artists and poets to architects, philosophers and writers, Black Ivy: A Revolt in Style charts a period in American history when Black men across the country adopted the clothing of a privileged elite and made it their own. It shows how a generation of men took the classic Ivy Look and made it cool, edgy and unpredictable in ways that continue to influence today's modern menswear. Here you will see some famous, infamous and not so famous figures in Black culture such as Amiri Baraka, Charles White, Malcolm X, Martin Luther King Jr., James Baldwin, Miles Davis, John Coltrane and Sidney Poitier, and how they reinvented Ivy and Prep fashion--the dominant looks of the time. The real stars of the book--the Oxford cloth button-down shirt, the hand-stitched loafer, the soft shoulder three-button jacket and the perennial repp tie--are all here. What Black Ivy explores is how these clothes are reframed and redefined by a stylish group of men from outside the mainstream, challenging the status quo, struggling for racial equality and civil rights.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C2198007</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C2198007</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Jules, Jason]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/2198007067</comments><format>BK</format><subtitle>A Revolt in Style</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781909526822/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Image of Whiteness]]></title><description><![CDATA["From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and nor are the images it produces. In this way, the invention and continuance of the 'white race' is not just a political, social and legal phenomenon, it is also a complexly visual one. In a time of revivified fascisms, from Donald Trump to Tommy Robinson, we must attempt to locate the image of whiteness anew, so that we can better understand its nonsensical construction. What does whiteness look like, and how might we begin to trace an anti-racist history of artistic resistance that works against it? 'The Image of Whiteness' seeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image"--Publisher's description.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C2095809</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C2095809</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Thu, 31 Jan 2019 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/2095809067</comments><format>BK</format><subtitle>Contemporary Photography and Racialization</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781999814496/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Annie Leibovitz at Work]]></title><description><![CDATA[Annie Leibovitz in her own words. A revised and updated edition of the classic account of how the most celebrated photographer of our time makes her pictures. Text based on conversations with Sharon DeLano.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C1985360</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1985360</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Leibovitz, Annie]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1985360067</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780714878294/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Personal Vision]]></title><description><![CDATA[This is a collection of Master American photographer Adger Cowan's predominantly black-and-white images taken over the past 40 years. The book follows his photographic evolution from Navy photographer to apprentice of Gordon Parks to the documenter of 1960s Harlem to a high-profile Hollywood portrait photographer with a client list that included Al Pacino, Jane Fonda, Katherine Hepburn, and Mick Jagger. His images embody 1960s documentary style, street journalism, portraiture and self-portrayals, still-lifes, and experimental work.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C1808451</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1808451</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Cowans, Adger W.]]></dc:creator><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1808451067</comments><format>BK</format><subtitle>Photographs</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780986250064/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Peter Hujar]]></title><description><![CDATA[Peter Hujar was a leading figure of the downtown New York scene of the 1970s and '80s. He is most well-known for his portraits of New York City's artists, musicians, writers, and performers, which feature characters such as Susan Sontag, William S. Burroughs, David Wojnarowicz, and Andy Warhol, and was admired for his completely uncompromising attitude toward work and life. Hujar was a consummate technician, and his portraits of people, animals, and landscapes, with their exquisite black-and-white tonalities, were extremely influential. Underappreciated during his lifetime, Hujar is now a revered icon of the lost downtown art scene, and his photographs are held in permanent collections around the world. Over 160 photographs are gathered in Peter Hujar: Speed of Life. Published alongside a major touring exhibition, this collection presents Hujar's famous portraiture as well as his lesser-known projects. Exhibition: Fundación MAPFRE, Barcelona, Spain (26.01-20.05.2017) / Fotomuseum The Hague, The Netherlands (01.07-15.10.2017) / Morgan Library and Museum, New York City, United States (26.01-20.05.2018) / Berkeley Art Museum and Pacific Film Archive, United States (11.07-07.10.2018).]]></description><link>https://austin.bibliocommons.com/v2/record/S67C1799683</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1799683</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Hujar, Peter]]></dc:creator><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1799683067</comments><format>BK</format><subtitle>Speed of Life</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781597114141/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Generation Wealth]]></title><description><![CDATA["Lauren Greenfield: Generation Wealth is both a retrospective and an investigation into the subject of wealth over the last twenty-five years. Greenfield has traveled the world - from Los Angeles to Moscow, Dubai to China - bearing witness to the global boom-and-bust economy and documenting its complicated consequences. Provoking serious reflection, this book is not about the rich, but about the desire to be wealthy, at any cost" -- provided by publisher.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C1823695</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1823695</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Greenfield, Lauren]]></dc:creator><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1823695067</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780714872124/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Tina Barney]]></title><description><![CDATA[Internationally acclaimed American artist Tina Barney burst on the scene in the early 1980s with her provocative yet intimate photographs capturing the domestic lives and social rituals of the elite. In choosing colour over black and white and producing large-format prints, she broke the tradition of established fine-art photography at the time. Her unstintingly honest portrayal of her subjects, many of whom are family and friends, remains completely original. Straddling the line between candid and choreographed photography, between engagement and detachment, she captures her subjects in a range of rarefied settings, both private and public. Her iconic tableaux suggest rich narratives or, as she has written, the synchronization of psychological, emotional, and sociological plots that bind a family together. Long awaited, this lavish survey is the most definitive book to date on Barney s work.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C1953824</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1953824</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Barney, Tina]]></dc:creator><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1953824067</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780847860364/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Peter Hujar]]></title><description><![CDATA[The Lower East Side between 1972 and 1985, filled with artists, wannabe artists and hangers-on, was a community of the misbegotten gathered from every town in America and relocated in the mean streets between Broadway and the Bowery, and Peter Hujar was right in the midst of it. Nothing but talent, flamboyance, rank gender-bending mockery and arch irony supported these artists: some made their names, many came to grief and a few made art. In those days, the gutted streets of the Lower East Side resembled a war-zone. Though some established artists had passed through, Rauschenberg and Johns, John Cage and Merce Cunningham, almost everyone lived and worked on the extreme outer margins of money and art, penniless and unknown. As a community, downtown New York was a counterstatement to the rich New York of the banks, museums, media, corporations and the art world itself. That downtown New York is gone: time, gentrification, disease and death have taken their toll and turned this vibrant epoch into a chapter in art history. But before it vanished, its extravagant cast sat for Peter Hujar's camera, and with this volume, that community is vividly brought to life. Featured are Charles Ludlum, David Wojnarowicz, Edwin Denby, Susan Sontag, Paul Thek, Divine, Robert Wilson, John Waters, William S. Burroughs, Ray Johnson, Fran Lebowitz, Remy Charlip, Joe Brainard and many others. Peter Hujar (1934-87) was born in Trenton, New Jersey, and moved to Manhattan to work in the magazine, advertising and fashion industries. He documented the vibrant cultural scene of downtown New York throughout the 1970s and 1980s. In 1976 he published Portraits in Life and Death, with an introduction by Susan Sontag.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C1905880</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1905880</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Hujar, Peter]]></dc:creator><pubDate>Sun, 31 Jan 2016 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1905880067</comments><format>BK</format><subtitle>Lost Downtown</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9783958291065/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Headshot]]></title><description><![CDATA[It used to be that the only people that needed professional-looking headshots were actors and models, but now thanks to Facebook, Twitter, LinkedIn, and social media in general, headshots are hot! They've never been more in demand than they are today, and Peter Hurley's unique headshot style and trademark look have made him the most sought-after headshot photographer in the world today. Here's your chance to learn exactly how to create "the look" that everybody's after. This is bankable stuff! If you're not adding headshots to what you offer as a photographer, you're leaving a lot of money on the table. Peter knows first-hand the secrets to not only lighting your headshots like a pro (there's a whole chapter on that alone), but in this book he reveals, in the very same fashion that made him a famous name with photographers everywhere, how he gets authentic expressions and incredibly flattering positioning that will make your clients look better than they ever have in any photo period! It's all here: he shows you his positioning techniques, his secrets for getting genuine smiles and images that look so natural you won't believe they're posed (but of course, they are), and you'll learn the very same techniques that Peter uses to create amazing headshots for everyone from execs at top Fortune 500 companies, to Silicon Valley startups, to actors and public figures who know all too well how important a great-looking headshot really is. Peter doesn't hold anything back. He reveals all his tricks of the trade, from his trademark lighting look, to how to create good-looking backgrounds on location, to positioning tricks you won't hear anywhere else, and it's all written in Peter's fun, quirky, inspiring style that lets you know, right from the beginning, you can do this, and you can do this big! These are the techniques that Peter has crafted from years in front of the lens, as a model for top brands like Abercrombie & Fitch and Guess, and years behind the lens, giving him an insight few photographers will ever possess, and he's willing to share every bit of it every trick, every technique, and every nuance in this book that will pay for itself at your very next shoot. Yes, it's that good. -- Publisher marketing.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C1449220</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1449220</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Hurley, Peter M.]]></dc:creator><pubDate>Sun, 31 Jan 2016 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1449220067</comments><format>BK</format><subtitle>The Secrets to Creating Amazing Headshot Portraits</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780133928518/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Back to Fort Scott]]></title><description><![CDATA["The first African American photographer to be hired full time by Life magazine, Gordon Parks was often sent on assignments involving social issues that his white colleagues were not asked to cover. In 1950 he returned on one such assignment to his hometown of Fort Scott in southeastern Kansas: he was to provide photographs for a piece on segregated schools and their impact on black children in the years prior to Brown v. Board of Education. Parks intended to revisit early memories of his birthplace, many involving serious racial discrimination, and to discover what had become of the 11 members of his junior high school graduation class since his departure 20 years earlier. But when he arrived only one member of the class remained in Fort Scott, the rest having followed the well-worn paths of the Great Migration in search of better lives in urban centers such as St. Louis, Kansas City, Columbus and Chicago. Heading out to those cities Parks found his friends and their families and photographed them on their porches, in their parlors and dining rooms, on their way to church and working at their jobs, and interviewed them about their decision to leave the segregated system of their youth and head north. His resulting photo essay was slated to appear in Life in the spring of 1951, but was ultimately never published. This book showcases the 80-photo series in a single volume for the first time, offering a sensitive and visually arresting view of our country's racialized history.Gordon Parks (1912-2006) was born into poverty and segregation in Fort Scott, Kansas. The self-taught photographer also found success as a film director, author and composer. He was awarded the National Medal of Arts and over 50 honorary degrees"--]]></description><link>https://austin.bibliocommons.com/v2/record/S67C1905943</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C1905943</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Haas, Karen E.]]></dc:creator><pubDate>Sat, 31 Jan 2015 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/1905943067</comments><format>BK</format><subtitle>Gordon Parks</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9783869309187/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Changing Face of Portrait Photography]]></title><description><![CDATA["A richly illustrated volume examines ten photographers' portrait work and explores the power of the portrait and the role it plays in our personal and national identities. The Changing Face of Portrait Photography explores ten groups of portraits selected from within the Smithsonian National Museum of American History's Photographic History Collection. The selections represent work by specific photographers with diverse relationships to portraiture, and through their sampling take a focused look at changing convention, theory, and technologies"--]]></description><link>https://austin.bibliocommons.com/v2/record/S67C845609</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C845609</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Perich, Shannon Thomas]]></dc:creator><pubDate>Mon, 31 Jan 2011 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/845609067</comments><format>BK</format><subtitle>From Daguerreotype to Digital</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781588342744/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Diane Arbus]]></title><description><![CDATA["When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even a legend--among serious photographers, although only a small number of her pictures were widely known. The publication of Diane Arbus: An Aperture Monograph in 1972, and the posthumous retrospective at the Museum of Modern Art, offered the public its first encounter with Arbus's achievements. The response was unprecedented. The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbus's friend and colleague, and by her daughter Doon Arbus. Their goal was to remain faithful to the standards by which Arbus judged her own work, and to how she hoped it would be seen. Universally acknowledged as a timeless masterpiece, and translated into five languages, Diane Arbus: An Aperture Monograph remains the foundation of her international reputation. Nearly fifty years has not diminished the impact of these pictures; they penetrate the psyche with the force of a personal encounter, and transform the way we see the world"--Publisher's description.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C850209</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C850209</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Arbus, Diane]]></dc:creator><pubDate>Mon, 31 Jan 2011 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/850209067</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781597111744/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[William Albert Allard, Five Decades]]></title><link>https://austin.bibliocommons.com/v2/record/S67C850255</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C850255</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Allard, William Albert]]></dc:creator><pubDate>Sun, 31 Jan 2010 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/850255067</comments><format>BK</format><subtitle>A Retrospective</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781426206375/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Face]]></title><link>https://austin.bibliocommons.com/v2/record/S67C772528</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C772528</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Ewing, William A.]]></dc:creator><pubDate>Thu, 31 Jan 2008 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/772528067</comments><format>BK</format><subtitle>The New Photographic Portrait</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780500287323/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Monte Zucker's Portrait Photography Handbook]]></title><link>https://austin.bibliocommons.com/v2/record/S67C725023</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C725023</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Zucker, Monte]]></dc:creator><pubDate>Thu, 31 Jan 2008 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/725023067</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781584282136/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Hollywood, Beverly Hills, & Other Perversities]]></title><description><![CDATA["A collection of black-and-white photographs portraying celebrity culture in the 1970s and 1980s, mostly in Los Angeles, taken by an award-winning photojournalist"--Provided by publisher.]]></description><link>https://austin.bibliocommons.com/v2/record/S67C738938</link><guid isPermaLink="true">https://austin.bibliocommons.com/v2/record/S67C738938</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rose, George]]></dc:creator><pubDate>Thu, 31 Jan 2008 00:00:00 GMT</pubDate><comments>https://austin.bibliocommons.com/item/comment/738938067</comments><format>BK</format><subtitle>Pop Culture of the 1970s and 1980s</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781580089241/MC.GIF&amp;client=austinpl&amp;type=xw12&amp;oclc=</image_url></item></channel></rss>