"Don't be too sure I'm as crooked as I'm supposed to be. That kind of reputation might be good business."—Samuel Spade, private investigator

Brilliant detective Sam Spade is the quintessential private eye, with his own code of ethics. When a standard stakeout goes wrong and Spade's partner is killed, he finds himself drawn into the hunt for a fantastic treasure of dubious origin—a golden bird encrusted with jewels. But he's not the only one on the trail of the falcon. Hot on his heels are Joel Cairo, a perfumed grifter; an oversized adventurer named Gutman; and Spade's new client Brigid O'Shaughnessy, a beautiful but treacherous woman whose loyalties shift at the drop of a hat.

With vividly drawn characters and memorable dialogue, this full-cast dramatization by the award-winning Hollywood Theater of the Ear brings to life all the excitement and suspense of Hammett's original in the playhouse of the mind.

A newlywed librarian begins to suspect the man she married might be a murderer—in this spectacularly twisty and deviously clever novel by Peter Swanson, New York Times bestselling author of The Kind Worth Killing and Eight Perfect Murders.

Martha Ratliff conceded long ago that she'd likely spend her life alone. She was fine with it, happy with her solo existence, stimulated by her work as a librarian in Maine. But then she met Alan, a charming and sweet-natured salesman whose job took him on the road for half the year. When he asked her to marry him, she said yes, even though he still felt a little bit like a stranger.

A year in and the marriage was good, except for that strange blood streak on the back of one of his shirts he'd worn to a conference in Denver. Her curiosity turning to suspicion, Martha investigates the cities Alan visited over the past year and uncovers a disturbing pattern—five unsolved cases of murdered women.

Is she married to a serial killer? Or could it merely be a coincidence? Unsure what to think, Martha contacts an old friend from graduate school for advice. Lily Kintner once helped Martha out of a jam with an abusive boyfriend and may have some insight. Intrigued, Lily offers to meet Alan to find out what kind of man he really is . . .but what Lily uncovers is more perplexing and wicked than they ever could have expected.

The Dönme sect―a group of Jewish-Islamic adherents with ancient roots―lives in an isolated community on rural land outside of smalltown Mt. Izmir, Ohio. Self-sustaining, deeply-religious, and heavily-armed, they have followed their self-proclaimed prophet, Natan of Flatbush, from Brooklyn to this new land.

But the brutal murder of Natan's teenage son throws their tight community into turmoil.

When Zeke Leger, a thirty-year-old writer at a national magazine, arrives from New York for the funeral of a friend, he becomes intrigued by the case, and begins to report on the murder. His college girlfriend, Johanna Franklin, prosecuted the case, and believes it is closed. Before he knows it, Zeke becomes entangled in the conflict between the Dönme, suspicious local citizens, Johanna, and the law―with dangerous implications for his body and his soul.

In this second collection in the Music and Murder Mystery series, nine award-winning, bestselling authors have written their own interpretations of the Thriller song list. With original work from some of the best mystery authors out there, the anthology includes stories from Heather Graham, Jeffery Deaver, William Kent Krueger, Dahlia Rose, and David R. Slayton, among others.

With poignant, frightening, and intriguing stories from some of the best writers in the genre, this eerie collection is sure to keep you up at night—and maybe even haunt your dreams.

With experimental narrative techniques mixed with literary modernism, this early Faulkner classic captures the atmosphere of America's Lost Generation and marked the beginning of the author's legacy as one of the most influential fiction writers in American history.

They have lived for centuries in a house of legend and mystery in upper Illinois—and they are not like other Midwesterners. Rarely encountered in daylight hours, their children are curious and wild; their old ones have survived since before the Sphinx first sank its paws deep in Egyptian sands. And some sleep in beds with lids.

Now the house is being readied in anticipation of the gala homecoming that will gather together the far-flung branches of this odd and remarkable family. In the past-midnight stillness can be detected the soft fluttering of Uncle Einar's wings. From her realm of sleep, Cecy, the fairest and most special daughter, can feel the approach of many a welcome being—shapeshifter, telepath, somnambulist, vampire—as she flies high in the consciousness of bird and bat.

But in the midst of eager anticipation, a sense of doom pervades. For the world is changing. And death, no stranger, will always shadow this most singular family: Father, arisen from the Earth; Mother, who never sleeps but dreams; A Thousand Times Great Grandmére; Grandfather, who keeps the wildness of youth between his ears.

And the boy who, more than anyone, carries the burden of time on his shoulders: Timothy, the sad and different foundling son who must share it all, remember, and tell ... and who, alone out of all of them, must one day age and wither and die.

By turns lyrical, wistful, poignant, and chilling, From the Dust Returned will surely be numbered among Ray Bradbury's most enduring masterworks.

Some five hundred years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence's unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all one hundred cantos of The Divine Comedy by the city's greatest poet, Dante Alighieri.

A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished. Botticelli declined into poverty and obscurity, and his illustrations went missing for four hundred years.

The nineteenth-century rediscovery of Botticelli's Dante drawings brought scholars to their knees: this work embodied everything the Renaissance had come to mean. Today, Botticelli's Primavera adorns household objects of every kind.

This book is essential to explain not only how and why this artist became iconic but why we still need his work―and the spirit of the Renaissance―today.

On August 10, 1977, the NYPD arrested David Berkowitz for the Son of Sam murders that had terrorized New York City for over a year. Berkowitz confessed to shooting sixteen people and killing six with a .44 caliber Bulldog revolver, and the case was officially closed.

Journalist Maury Terry was suspicious of Berkowitz's confession. Spurred by conflicting witness descriptions of the killer and by the Queens district attorney, who was convinced Berkowitz didn't act alone, Terry spent decades researching, gathering evidence, and interviewing those involved in the case. He released his initial findings in the original publication of The Ultimate Evil in 1987, in which he presented his theory that Berkowitz was a member of the Process Church of the Final Judgment, a cult responsible for the Son of Sam murders, as well as other ritual murders across the country.

After Terry's death in 2015, documentary filmmaker Josh Zeman, documentary filmmaker of Cropsey, The Killing Season, and Murder Mountain, followed leads Terry left for him, which form the basis of his 2021 docuseries with Netflix and a companion podcast.

Taken together with The Ultimate Evil, which includes a new introduction by Zeman, these works reveal the stunning intersections of power, wealth, privilege, and evil in America—from the Summer of Sam until today.