author results for Abdurraqib, Hanif,

There's Always This Year

Abdurraqib, Hanif — Wed, 31 Jan 2024 00:00:00 GMT

"While Hanif Abdurraqib is an acclaimed author, a gifted poet, and one of our culture's most insightful music critics, he is most of all, at heart, an Ohioan. Growing up in Columbus in the '90s, Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron were forged, and countless others weren't. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tensions between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with memoir: 'Here is where I would like to tell you about the form on my father's jumpshot,' Abdurraqib writes. 'The truth, though, is that I saw my father shoot a basketball only one time'"-- Provided by publisher.

There's Always This Year

Abdurraqib, Hanif — Wed, 31 Jan 2024 00:00:00 GMT

LONGLISTED FOR THE NATIONAL BOOK AWARD • NEW YORK TIMES BESTSELLER • #1 NATIONAL BESTSELLER • A “powerful” (The Guardian) reflection on basketball, life, and home—from the author of the National Book Award finalist A Little Devil in America
“Mesmerizing . . . not only the most original sports book I’ve ever read but one of the most moving books I’ve ever read, period.”—Steve James, director of Hoop Dreams

ONE OF BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR • ONE OF THE TEN BEST BOOKS OF THE YEAR: Vulture, Chicago Public Library, BookPage
A BEST BOOK OF THE YEAR: The New York Times Book Review, Time, The Washington Post, NPR, The Boston Globe, The New York Public Library, Chicago Public Library, Publishers Weekly, Kirkus Reviews, Book Riot, Electric Lit

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD
Growing up in Columbus, Ohio, in the 1990s, Hanif Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron James were forged and countless others weren’t. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tension between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with intimate, personal storytelling. “Here is where I would like to tell you about the form on my father’s jump shot,” Abdurraqib writes. “The truth, though, is that I saw my father shoot a basketball only one time.”
There’s Always This Year is a triumph, brimming with joy, pain, solidarity, comfort, outrage, and hope. No matter the subject of his keen focus—whether it’s basketball, or music, or performance—Hanif Abdurraqib’s exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, our country, and ourselves.
LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION

They Can't Kill Us Until They Kill Us

Abdurraqib, Hanif — Tue, 31 Jan 2017 00:00:00 GMT

When first published in 2017, They Can't Kill Us Until They Kill Us became an instant cultural sensation, appearing in music videos, B-sides to singles by The National's Matt Berninger and Julien Baker, as an essay prompt on standardized tests, and led critics at NPR to herald Hanif Abdurraqib as "one of the most essential voices of his generation." This expanded paperback edition includes three additional essays by the author and an original afterword by Jason Reynolds. In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others--along with original, previously unreleased essays--Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

They Can't Kill Us Until They Kill Us

Abdurraqib, Hanif — Tue, 31 Jan 2017 00:00:00 GMT

* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo)
* A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily
* American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'
* Midwest Indie Bestseller

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.
In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

A Little Devil in America

Abdurraqib, Hanif — Sun, 31 Jan 2021 00:00:00 GMT

"A Little Devil in America is an urgent project that unravels all modes and methods of black performance, in this moment when black performers are coming to terms with their value, reception, and immense impact on America. With sharp insight, humor, and heart, Abdurraqib examines how black performance happens in specific moments in time and space--midcentury Paris, the moon, or a cramped living room in Columbus, Ohio. At the outset of this project, Abdurraqib became fascinated with clips of black minstrel entertainers like William Henry Lane, better known as Master Juba. Knowing there was something more complicated and deep-seated in the history and legacy of minstrelsy, Abdurraqib uncovered questions and tensions that help to reveal how black performance pervades all areas of American society. Abdurraqib's prose is entrancing and fluid as he leads us along the links in his remarkable trains of thought. A Little Devil in America considers, critques, and praises performance in music, sports, writing, comedy, grief, games, and love"-- Provided by publisher.

A Little Devil in America

Abdurraqib, Hanif — Sun, 31 Jan 2021 00:00:00 GMT

NATIONAL BOOK AWARD FINALIST • A sweeping, genre-bending “masterpiece” (Minneapolis Star Tribune) exploring Black art, music, and culture in all their glory and complexity—from Soul Train, Aretha Franklin, and James Brown to The Fresh Prince of Bel-Air, Whitney Houston, and Beyoncé

ONE OF BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR • ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly
“Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.”—Brit Bennett, #1 New York Times bestselling author of The Vanishing Half
A Kirkus Reviews Best Nonfiction Book of the Century • An Oprah Daily Best Nonfiction Book of the Past Two Decades
“I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance.
Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.
WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD
A BEST BOOK OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist

Go Ahead in the Rain

Abdurraqib, Hanif — Thu, 31 Jan 2019 00:00:00 GMT

"How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group's history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself."-- Provided by publisher.

Go Ahead in the Rain

Abdurraqib, Hanif — Thu, 31 Jan 2019 00:00:00 GMT

The first chronicle of A Tribe Called Quest—the visionary, award-winning group whose jazz-infused records and socially conscious lyrics revolutionized rap in the early 1990s.

Sing, Aretha, Sing!

Abdurraqib, Hanif — Sun, 31 Jan 2021 00:00:00 GMT

"An empowering picture book biography of Aretha Franklin and her role in civil rights, perfect for Women's History Month and Black History Month"-- Provided by publisher.

Sing, Aretha, Sing!

Abdurraqib, Hanif — Mon, 31 Jan 2022 00:00:00 GMT

A young Aretha Franklin captivates her community with the song "Respect" during the height of the Civil Rights Movement, in this striking picture book biography that will embolden today's young readers to sing their own truth.
When Aretha Franklin sang, she didn't just sing...she sparked a movement. As a performer and a civil rights activist, the Queen of Soul used her voice to uplift freedom fighters and the Black community during the height of the 1960s Civil Rights Movement. Her song "Respect" was an anthem of identity, survival, and joy. It gave hope to people trying to make change. And when Aretha sang, the world sang along.
With Hanif Abdurraqib's poetic voice and Ashley Evans's dynamic illustrations, Sing, Aretha, Sing! demonstrates how one brave voice can give new power to a nation, and how the legacy of Aretha Franklin lives on in a world still fighting for freedom.

A Fortune for Your Disaster

Abdurraqib, Hanif — Thu, 31 Jan 2019 00:00:00 GMT

“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review
In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'." It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside—from Marvin Gaye to Nikola Tesla to his neighbor's dogs—to create a mirror, inside of which every angle presents a new possibility.

There's Always This Year

Abdurraqib, Hanif — Wed, 31 Jan 2024 00:00:00 GMT

They Can't Kill Us Until They Kill Us

Abdurraqib, Hanif — Mon, 31 Jan 2022 00:00:00 GMT

*2018 "12 best books to give this holiday season" TODAY Show

*Best Books of 2018* Rolling Stone

"A Best Book of 2017" NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily

*American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'

*Midwest Indie Bestseller

In essays that have been published by the New York Times, MTV, and Pitchfork, among others along with original, previously unreleased essays Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

"Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." Greil Marcus,

A Fortune for Your Disaster

Abdurraqib, Hanif — Thu, 31 Jan 2019 00:00:00 GMT

In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'." It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside-from Marvin Gaye to Nikola Tesla to his neighbor's dogs-to create a mirror, inside of which every angle presents a new possibility.

A Little Devil in America

Abdurraqib, Hanif — Sun, 31 Jan 2021 00:00:00 GMT

"A Little Devil in America is an urgent project that unravels all modes and methods of Black performance, in this moment when Black performers are coming to terms with their value, reception, and immense impact on America. With sharp insight, humor, and heart, Abdurraqib examines how Black performance happens in specific moments in time and space--midcentury Paris, the moon, or a cramped living room in Columbus, Ohio. At the outset of this project, Abdurraqib became fascinated with clips of Black minstrel entertainers like William Henry Lane, better known as Master Juba. Knowing there was something more complicated and deep-seated in the history and legacy of minstrelsy, Abdurraqib uncovered questions and tensions that help to reveal how Black performance pervades all areas of American society. Abdurraqib's prose is entrancing and fluid as he leads us along the links in his remarkable trains of thought. A Little Devil in America considers, critiques, and praises performance in music, sports, writing, comedy, grief, games, and love"-- Provided by publisher.

A Little Devil in America

Abdurraqib, Hanif — Sun, 31 Jan 2021 00:00:00 GMT

Go Ahead in the Rain

Abdurraqib, Hanif — Thu, 31 Jan 2019 00:00:00 GMT

The seminal rap group A Tribe Called Quest brought jazz into the genre, resurrecting timeless rhythms to create masterpieces. This narrative follows Tribe from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative, poet and essayist Hanif Abdurraqib connects the music and cultural history to their street-level impact. Whether he's remembering The Source magazine cover announcing the Tribe's 1998 breakup or writing personal letters to the group after bandmate Phife Dawg's death, Abdurraqib seeks the deeper truths of A Tribe Called Quest, truths that—like the low end, the bass—are not simply heard in the head but are felt in the chest. Digging into the group's history, Abdurraqib draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself.

Flyboy in the Buttermilk

Tate, Greg — Fri, 31 Jan 2025 00:00:00 GMT

"Village Voice columnist Greg Tate offers essays and tales of American music and culture, from bebop to hip-hop. He examines music, books, newspaper reporting, and more to explore such issues as racism, poverty, sexism, homophobia, and political and economic injustices from a black point of view"-- Provided by publisher.

Respect the Mic

Mon, 31 Jan 2022 00:00:00 GMT

"For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, It's a call of pride and history and tradition and hope. This vivid new collection of poetry and prose -- curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan Sully Sullivan -- illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA champion Iman Shumpert, National Youth Poet Laureate Kara Jackson, National Youth Poet Laureate Kara Jackson, National Student Poet Natalie Richardson, comedian Langston Kerman, and more. In its pages, you hear the sprawling echoes of students, siblings, lovers, new parents, athletes, entertainers, scientists, and more --all sharing a deep appreciation for the power of storytelling. A celebration of the past, a balm for the present, and a blueprint for the future, Respect the Mic offers a tender, intimate portrait of American life, and conveys how in a world increasingly defined by separation, poetry has the capacity to bind us together."--Provided by publisher.

The Year's Best Sports Writing 2025

Fri, 31 Jan 2025 00:00:00 GMT

"A must-read collection featuring the best in sports journalism. Editor Hanif Abdurraqib has curated an essential anthology showcasing incredible feats and diverse perspectives across the world of sports. Selected from a wide range of newspapers, magazines, and digital publications during the previous year, these stories capture enduring moments while celebrating the craft of writing at its most sublime. This extraordinary collection reveals the fascinating stories behind the sports we love, the competitors who push their boundaries, and the cultures they are ultimately embedded in."-- Provided by publisher.

Friday Night Lives

Clark, Robert — Fri, 31 Jan 2020 00:00:00 GMT

White Stripes Complete Lyrics

White, Jack — Tue, 31 Jan 2023 00:00:00 GMT

"The White Stripes Complete Lyrics is a deluxe, new 300+ page hardbound book documenting all of Jack White's original words written for the six-time Grammy Award-winning duo he and Meg White formed in 1997 through the release of their final album in 2007. The first-time-ever lyric collection also features never-before-seen and rare rough drafts, alternate lyrics, and photographs, alongside exclusive essays by Hanif Abdurraqib, Ben Blackwell, and Caroline Randall Williams"-- Provided by publisher.

Respect the Mic

Mon, 31 Jan 2022 00:00:00 GMT

An expansive, moving poetry anthology, representing 20 years of poetry from students and alumni of Chicago's Oak Park River Forest High School Spoken Word Club.
"Poets I know sometimes joke that the poetry club at Oak Park River Forest High School is the best MFA program in the Chicagoland area. Like all great jokes, this one is dead serious." -Eve L. Ewing, award-winning poet, playwright, scholar, and sociologist
For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, "It's a call of pride and history and tradition and hope."
This vivid new collection of poetry and prose — curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan "Sully" Sullivan — illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA champion Iman Shumpert, National Youth Poet Laureate Kara Jackson, National Youth Poet Laureate Kara Jackson, National Student Poet Natalie Richardson, comedian Langston Kerman, and more.
In its pages, you hear the sprawling echoes of students, siblings, lovers, new parents, athletes, entertainers, scientists, and more —all sharing a deep appreciation for the power of storytelling. A celebration of the past, a balm for the present, and a blueprint for the future, Respect the Mic offers a tender, intimate portrait of American life, and conveys how in a world increasingly defined by separation, poetry has the capacity to bind us together.

Respect the Mic

Mon, 31 Jan 2022 00:00:00 GMT

It Came From Memphis

Gordon, Robert — Fri, 31 Jan 2020 00:00:00 GMT

"Like no other music history, It Came From Memphis dishes its tuneful tale with a full context of social issues. From institutional racism to cowboy movies, from manic disc jockeys to Quaalude motorcycle gangs, this story is as unvarnished a history of rock and roll as ever has been written. The Memphis aesthetic is to invert expectations: artists seek imperfection, embracing mistakes and doing it all wrong by forging their own paths to get it exactly right. A storyteller's storyteller, Robert Gordon puts you in the shotgun seat, riding with the old coots and the young rebels as they pass a bottle and a blunt. Memphis changed the world, this book can change you."--Provided by publisher.