<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[subject results for Sculpture]]></title><description><![CDATA[subject results for Sculpture]]></description><link>https://gateway.bibliocommons.com/v2/libraries/christchurch/rss/search?query=Sculpture&amp;searchType=subject&amp;locked=false&amp;searchScope=NZ-CHRISTCHURCH&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Thu, 12 Mar 2026 07:24:27 GMT</lastBuildDate><item><title><![CDATA[On Being A Sculptor]]></title><link>https://christchurch.bibliocommons.com/v2/record/S37C677305</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C677305</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Moore, Henry, 1898-1986]]></dc:creator><pubDate>Sun, 31 Jan 2010 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/677305037</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Sculpting in Stone]]></title><description><![CDATA[Containing an introduction to this ancient craft, this book looks at various types of rock and their suitability for specific projects, examining the specific tools needed, their purpose and uses, and discusses creating a safe and suitable environment to work in.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1689996</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1689996</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Valentine, John]]></dc:creator><pubDate>Wed, 31 Jan 2007 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1689996037</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Henry Moore on Sculpture]]></title><link>https://christchurch.bibliocommons.com/v2/record/S37C1151594</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1151594</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Moore, Henry, 1898-1986]]></dc:creator><pubDate>Wed, 31 Jan 1968 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1151594037</comments><format>BK</format><subtitle>A Collection of the Sculptor&apos;s Writings and Spoken Words</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Pipe Dream]]></title><description><![CDATA[For decades, Theo Jansen has toiled on the beaches of the Netherlands in his quest to make his beloved Strandbeests self-sufficient. But what happens when, as the artist pursues his dream to create new life, he starts to feel his own slipping away? As he contemplates whether he is the Strandbeests' master or slave, Theo races against the inevitable passing of time and his eventual death.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1552669</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1552669</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2025 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1552669037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[The Piccirilli Factor]]></title><description><![CDATA[THE PICCIRILLI FACTOR presents the lives and contributions of the Piccirilli family, Italian sculptors who, after settling in New York City in 1888, founded the largest and most prolific marble carving studio in America. For nearly half a century, the Piccirilli contributed to the City Beautiful Movement, shaping the architectural landscapes of Washington and New York in collaboration with leading architects and sculptors. Their body of work, encompassing both collaborative and individual pieces, includes nearly nine hundred monuments, memorials, and fine artworks, many of which are preserved in museums and private collections. Unfortunately, all records related to their practice were lost following World War II, after the studio closed due to the deaths of Attilio and Getulio Piccirilli.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1597112</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1597112</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2025 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1597112037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Borromini And Bernini: The Challenge For Perfection]]></title><description><![CDATA[A journey into the great beauty of Baroque Rome, when the city was the center of western art and where every ambitious painter, sculptor and architect had to be. This is the story of the most famous artistic rivalry of all time, the one between Borromini and Bernini.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1804684</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1804684</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[ita]]></category><pubDate>Tue, 31 Jan 2023 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1804684037</comments><format>VIDEO_ONLINE</format><subtitle/><language>ita</language><image_url/></item><item><title><![CDATA[Art and Now What?]]></title><description><![CDATA[We question the subject of beauty and transcendence in art. We realise that art has this magical power to slow us down whether were artists or simple observers. Art is our best way of knowing who we are and what we have yet to become.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1449782</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1449782</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1449782037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Different Voices]]></title><description><![CDATA[Meet artists and see how much they care about the seriousness of their practice, whether they paint, carve or create digital works. When they generally don't want to belong to a movement or have a label put on their work, they all value the importance of the collective.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1451253</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1451253</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1451253037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[What Future for Museums?]]></title><description><![CDATA[We define the role of museums and see how easily they could become a simple tourists attraction. We then realize that museums could likely be relegated to the outdated scrapheap of history, as more and more people assume its not for us, or its obsolete.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1450919</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1450919</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1450919037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[You, Myself and Art - Who We Are Through the Medium of Art]]></title><description><![CDATA[Featuring more than 20 specialists (art historians, sociologists, anthropologists, artists) this documentary series explores who we are through the medium of art, spanning from the earliest days of mankind, through our collective history, past today and into the future. It discusses how and why we are influenced by art, who funds art in an attempt to influence the way we think, if contemporary art still fulfils our creative needs and desires and what could become the art of tomorrow.  Travel from New York to Paris, from Seattle to London, from Washington DC to Vancouver and meet people who are, one way or another, connected to art.  They are artists, art historians, anthropologists, sociologists, neuroscientists, curators and philosophers.  For all of them, art is a passion and they are here to share it with us.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1450935</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1450935</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1450935037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[The Necessity of Sculpture]]></title><description><![CDATA[The Necessity of Sculpture brings together a selection of articles on sculpture and sculptors from Eric Gibson's nearly four-decade career as an art critic. It covers subjects as diverse as Mesopotamian cylinder seals, war memorials, and the art of the American West; stylistic periods such as the Hellenistic in Ancient Greece and Kamakura in medieval Japan; Michelangelo, Gian Lorenzo Bernini, Augustus Saint-Gaudens, and other historical figures; modernists like Auguste Rodin, Pablo Picasso, and Alberto Giacometti; and contemporary artists including Richard Serra, Rachel Whiteread, and Jeff Koons. Organized chronologically by artist and period, this collection is as much a synoptic history of sculpture as it is an art chronicle. At the same time, it is an illuminating introduction to the subject for anyone coming to it for the first time.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1144538</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1144538</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Gibson, Eric, 1953-]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1144538037</comments><format>BK</format><subtitle>Selected Essays and Criticism, 1985-2019</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Leonardo Da Vinci - Portrait of An Uncomfortable Genius]]></title><description><![CDATA[Leonardo is famous all over the world as the man who painted the Mona Lisa. He was a very unusual painter, didn't complete many paintings, and had interests that ranged over a wide variety of subjects. He was very unorthodox in an age that was just opening up to the new renaissance ideas on science and beliefs. This film by Malcolm Hossick explores the life and work of this most remarkable]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1450242</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1450242</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1450242037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[The Mystery of Art]]></title><description><![CDATA[The film traces how humans have made art from the earliest recorded times. Until the fundamental changes in the way societies viewed themselves during the Renaissance, artists were considered servants of rulers. This is true of all human groups throughout the world. Now in the age of individual freedom, artists have come to enjoy a new role. The film explores this change, and how art has come to be such a powerful and fruitful force in our daily lives.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1450655</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1450655</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1450655037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Meow Wolf: Origin Story]]></title><description><![CDATA[Meow Wolf: Origin Story chronicles the jaw-dropping 10 year journey of an anarchic art collective into a multi-million dollar business. From having no access to blowing a new, profitable portal into the art world, this tumultuous journey has yielded new ways of participating in culture and entertainment for not only these artists, but for the people from all walks of life who engage in and are inspired by their work. With a mission to provide access to and inspire creativity in everyone, this company continues to experience growing pains, while continuing to reach for new impossibles.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1451119</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1451119</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1451119037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Whiteley]]></title><description><![CDATA[WHITELEY is a visual journey into the private life and creative legacy of Australia's most iconic artist, Brett Whiteley, told "in his own words" using personal letters, notebooks and photographs, interwoven with reconstructions, animations, archival interviews and rare footage.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1451064</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1451064</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1451064037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Rodin]]></title><description><![CDATA[Paris 1880, Auguste Rodin, aged 40, finally receives his first state commission. He creates "The Gates of Hell", composed of figurines some of which will become his most famous works: "The Kiss" and "The Thinker". He shares his life with Rose, his lifelong partner, when he encounters the young Camille Claudel. His most gifted student, she quickly becomes his assistant, then his mistress. A decade of passion, mutual admiration and complicity ensues. Following their break up, Rodin continues to work relentlessly. He faces both the condemnation and enthusiasm provoked by the sensuality of his sculptures and with his Balzac, rejected during his lifetime, creates the undeniable starting point of modern sculpture.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1450936</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1450936</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[fre]]></category><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1450936037</comments><format>VIDEO_ONLINE</format><subtitle/><language>fre</language><image_url/></item><item><title><![CDATA[The Eye]]></title><description><![CDATA["1980's the world of Gilbert and George is really only interesting as an unwitting document of its time, but the eye, an extended interview on the pair, is fascinating ..." Guardian Guide, 17 February, 2007 Gilbert Prousch met George Passmore at St Martin's School of Art in 1967. Since then they have famously lived and worked together as Gilbert & George, creating an extraordinary body of provocative artworks. They have exhibited themselves as "Living Sculptures", documented the banality of their daily lives in London's East End, and, since the late 1970s, produced vibrant, challenging photographic collages. This video profile of Gilbert & George features a characteristically deadpan performance of themselves. Sex, money, race and religion, they explain, are four themes at the heart of their art. Their interview is complemented by images of many of their works, including the remarkable Dirty Words Pictures made in 1977, together with important collages of the 1980s and 1990s. Asked if their work, and their personas, are ironic, Gilbert says, " We always think it's struggle enough to drag something out from inside of ourselves onto that wall without trying to be strange or odd about it. We wanted to be absolutely painful truth," George adds. "I really believe it has to be painful."]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1081313</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1081313</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2014 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1081313037</comments><format>VIDEO_ONLINE</format><subtitle>Gilbert &amp; George</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Vaastu Marabu]]></title><description><![CDATA[The Vishwakarmas, the holders of the architectural and artistic heritage in India, have maintained the skill and the theoretical basis essential for designing and executing almost all aspects of the man-made environment.Vaastu Marabu documents the theory and practice of the Vaastu tradition of Indian art, architecture, craft and design.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1083846</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1083846</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2014 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1083846037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Sculpting and Handbuilding]]></title><description><![CDATA[andbuilding with clay offers a unique opportunity to experiment, requiring few tools, and allowing intuition and imagination to come to the fore. In this overview of a fast-developing practice, artist Claire Loder explains time-honoured methods of handbuilding, as well as introducing the fascinating new approaches of contemporary ceramicists. The basic techniques, from coiling and pinching to working with slabs, are explained with practical instructions and helpful accompanying images. Equipment, clay bodies and studio advice are thoroughly covered. Through the work of today's makers, the book then looks at new methods of building by hand, including mixed media work, sculptural methods, vessels and surface decoration, illuminating a wide variety of forms and styles. Sculpting and Handbuilding is an essential guide for any ceramic artist or student wishing to learn the basics of handbuilding, or seeking inspiration to integrate and adapt conventional methods.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C805556</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C805556</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Loder, Claire]]></dc:creator><pubDate>Thu, 31 Jan 2013 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/805556037</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Just Trial and Error]]></title><description><![CDATA[An exhibition about consciousness and the human brain at University College London inspired the making of Just Trial and Error, in which cognitive neuroscientist Brian Butterworth, perceptual neuroscientist Beau Lotto, sculptor Antony Gormley, and Twain Luu, an Internet entrepreneur well-known for her study of the "global brain," explore the meaning of consciousness as it is understood in their respective fields. Over the course of the film, they offer insights into the human brain, perception, the space art occupies, the role of the Internet, global consciousness, and much more. A provocative multidisciplinary documentary that is, in the words of New Scientist magazine, "a meditation on consciousness in today's society and the overwhelming sense that we need to place greater value on qualitative approaches.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1775081</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1775081</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Thu, 31 Jan 2013 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1775081037</comments><format>VIDEO_ONLINE</format><subtitle>Conversations on Consciousness</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Toying With Paper]]></title><description><![CDATA[This program sees one of Japan's best paper engineers, Keisuke Saka, at work. Specializing in paper automata, Keisuke's works are darkly humorous and endless fun to construct. Meanwhile, Brian Chan in Boston takes origami to a whole new level of complexity, while Paul Chan fashions paper props from his workshop in Hong Kong. Although their creations are made entirely of paper, they are no more disposable nor less durable than any other work of art. And the fact that Keisuke Saka, Brian Chan, and Paul Chan are adults doesn't stop them from toying with paper.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1785481</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1785481</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Thu, 31 Jan 2013 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1785481037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Paper Imagination]]></title><description><![CDATA[The latest trend that's creating an unexpected storm in art circles is paper cuttings! This program discovers why paper cuttings are back and how they have undergone a surprising transformation. Get acquainted with world-famous artists Peter Callesen, Kako Ueda, and Takaaki Kihara - who form the new breed of imaginative paper cutters, creating remarkable works of art. Romantic stories, personal reflections, and aspirations form the backdrop to their works. Journey with us through the imaginary landscapes these artists have created from paper.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1779174</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1779174</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Thu, 31 Jan 2013 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1779174037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Paper Medium Rare]]></title><description><![CDATA[There is nothing we wouldn't put in our mouths in our quest for the perfect meal. But paper? This program visits chefs Homaro, Jia Jun, and Yumei at the helm of their respective kitchens - where telling the difference between food and paper may not be so easy. No longer do we have to salivate over a delicious-looking picture - now, thanks to Homaro, we can literally have our picture and eat it too. Imagine eating the menu after placing your dinner order and munching on a photo taken while you are at Homaro's famed restaurant in Chicago. Nothing is too crazy for Homaro, not even paper Campbell soups! Catch these amazing culinary delights on Paper Medium Rare.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1779175</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1779175</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Thu, 31 Jan 2013 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1779175037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Furnished With Paper]]></title><description><![CDATA[Across continents, paper is coming into a league of its own. This program focuses on furniture and home furnishings designed and constructed from paper. In Japan, we meet Kouichi who fashions honeycomb lamps out of paper. Originally a music producer, Kouichi had his first contact with product design in Holland. In America, we meet designer Matt Gagnon. Organic and contemporary, Matt's paper table is the result of countless experimentation. Then, in Taiwan, Chi Shen is making the world sit up with his accordion-like chair which can seat only one or up to 16 people.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1770787</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1770787</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Thu, 31 Jan 2013 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1770787037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Scissors, Paper, Fashion]]></title><description><![CDATA[From a material as fragile and ephemeral as paper, a new league of jewelry, bags, and even dresses have emerged and taken the fashion world by surprise. This program takes a look at fashion designs made from paper. While paper fashion in the form of clothing and jewelry has made its presence felt since the 1960s, it has never caught on with the public at large. But all that may be changing, thanks to Polly Verity, Naoko Yoshizawa, and Giles Miller, who are turning paper into a choice material for prêt-à-porter. Revamp your wardrobe with their amazing paper fashion wear and accessories.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1782382</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1782382</guid><category><![CDATA[VIDEO_ONLINE]]></category><category><![CDATA[eng]]></category><pubDate>Thu, 31 Jan 2013 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1782382037</comments><format>VIDEO_ONLINE</format><subtitle></subtitle><language>eng</language><image_url/></item></channel></rss>