<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[subject results for sound recording industry new zealand]]></title><description><![CDATA[subject results for sound recording industry new zealand]]></description><link>https://gateway.bibliocommons.com/v2/libraries/christchurch/rss/search?query=sound%20recording%20industry%20new%20zealand&amp;searchType=subject&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Wed, 11 Mar 2026 12:45:27 GMT</lastBuildDate><item><title><![CDATA[North Meets South]]></title><link>https://christchurch.bibliocommons.com/v2/record/S37C1621195</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1621195</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Mon, 31 Jan 1994 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1621195037</comments><format>BK</format><subtitle>Popular Music in Aotearoa/New Zealand</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Needles & Plastic]]></title><description><![CDATA[Founded in 1981 by Roger Shepherd, Flying Nun Records unleashed an extraordinary wave of New Zealand music on listeners in Aotearoa and around the world – from The Clean to the Headless Chickens, Look Blue Go Purple to The Jean-Paul Sartre Experience. Needles and Plasticis a fully illustrated account of the label, the bands and the songs from 1981–1988, the critical early years, when the label was based in Christchurch and getting records pressed in New Zealand. Matthew Goody tells the story through the records themselves. In entries on over 140 records from The Clean’s ‘Tally Ho!’ 7" in 1981 to The Verlaines’ Bird-Dog LP in 1988, the book draws on years of research to reveal the stories of the bands, the recordings, the songs and the audience, with a host of characters contributing along the way – Shepherd, Chris Knox, Doug Hood, Hamish Kilgour and many more. In this remarkable tale of creativity and chaos, do-it-yourself innovation and extraordinary attempts at world domination, Needles and Plastic tells the inside story of one of New Zealand’s – and the world’s – great independent music labels.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1321673</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1321673</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Goody, Matthew]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1321673037</comments><format>BK</format><subtitle>Flying Nun Records, 1981-1988</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Wired for Sound]]></title><description><![CDATA[For the first time ever, discover the story behind the Stebbing recording legacy. From pioneering violins and 78 records, to the singers, songwriters, engineers and producers who have graced Stebbing's famous three recording studios. Come inside the mid-1960s Galaxie nightclub, the evolution of the Zodiac record label and the Stebbing family's fearless response to industry politics, changing technologies and financial risk. This is the untold Stebbing story of resilience, enterprise and an ancestral restless spirit that has underpinned the Stebbing family's generational legacy, from the pioneering days of recording in New Zealand to the digital age. Against a backdrop of New Zealand's vibrant social history, this 75-year-long story is about the bands, the artists, the singers, the songwriters, the engineers and the technical know-how that is uniquely Stebbings. Richly-told and lavishly illustrated, this warts-and-all nostalgic read is told through the artists, the musicians, the bands, the songwriters, the engineers and the wider Stebbing family itself.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1100746</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1100746</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Gillanders, Grant]]></dc:creator><pubDate>Thu, 31 Jan 2019 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1100746037</comments><format>BK</format><subtitle>The Stebbing History of New Zealand Music</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[The Kiwi Pacific Records Story]]></title><description><![CDATA[These interviews trace Kiwi Pacific Records from its beginnings as a division of publishers AH & AW Reed Ltd, through its period as the subsidiary Reed Pacific Records Ltd, to its independence as Kiwi Pacific Records, all under the direction of Tony Vercoe. At the age of 70, when he sold the company as a going concern, Tony left it with a substantial catalogue of wide variety and unique archival value. Eminent New Zealand composer Douglas Lilburn summed up the enterprising undertaking that was Kiwi Pacific Records: ' It was a great day when Tony Vercoe set up his own firm and decided to promote recordings of New Zealand music ... Kiwi Records became for many years a focal point for a developing awareness of our musical identities encouraging and fostering our talents in a practical way, and professionally giving us a new and vastly wider audience both here and overseas"--back cover.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C993420</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C993420</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Vercoe, Tony, 1919-2018]]></dc:creator><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/993420037</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[From the Bandstand]]></title><link>https://christchurch.bibliocommons.com/v2/record/S37C944241</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C944241</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Clark, Kevin, 1940-]]></dc:creator><pubDate>Sun, 31 Jan 2016 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/944241037</comments><format>BK</format><subtitle>Sixty-five Years of Gigs, Clubs, Studios, Freaks and Frolics</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[In Love With These Times]]></title><description><![CDATA[The inside story of New Zealand's iconic independent record label by the man who made it happen.  I wanted to be more than just an observer. I wanted to be a part of what was going on. I had told someone and the word was out, and now I had to actually do this thing. Start a record label.  I must have been drunk.  Roger Shepherd was working in a Christchurch record shop when he realised the local bands he loved needed someone to make their records. Flying Nun was born.  Those records and the bands that created them them - The Chills, The Clean, Chris Knox and the Tall Dwarfs, The Verlaines, Sneaky Feelings, The Bats, Straightjacket Fits and many more - went on to define an era and create what became known as "the Dunedin Sound".  In truth it was less a unified sound than a spirit of adventure and independence that characterised the Flying Nun ethos. In this long-awaited memoir, label founder Roger Shepherd describes the idealism and passion that drove the project in the first place, the hard realities of the music industry, and the constant tension between art and commerce.  Filled with revealing anecdote and insight, this is the definitive insider history of the one of the most innovative and original record labels of the modern era.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C921657</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C921657</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Shepherd, Roger, 1960-]]></dc:creator><pubDate>Sun, 31 Jan 2016 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/921657037</comments><format>BK</format><subtitle>My Life With Flying Nun Records</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[For the Record]]></title><link>https://christchurch.bibliocommons.com/v2/record/S37C1650478</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1650478</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Staff, Bryan]]></dc:creator><pubDate>Thu, 31 Jan 2002 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1650478037</comments><format>BK</format><subtitle>A History of the Recording Industry in New Zealand</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[The Mechanics of Popular Music]]></title><link>https://christchurch.bibliocommons.com/v2/record/S37C1623979</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1623979</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Chunn, Mike, 1952-]]></dc:creator><pubDate>Tue, 31 Jan 1995 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1623979037</comments><format>BK</format><subtitle>A New Zealand Perspective</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Story of the New Zealand Record Industry]]></title><link>https://christchurch.bibliocommons.com/v2/record/S37C1681147</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1681147</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Anderson, Bruce, 1935-]]></dc:creator><pubDate>Tue, 31 Jan 1984 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1681147037</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Fifty Years in New Zealand EMI]]></title><link>https://christchurch.bibliocommons.com/v2/record/S37C1713005</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1713005</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[EMI New Zealand]]></dc:creator><pubDate>Sat, 31 Jan 1976 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1713005037</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[The World's Din]]></title><description><![CDATA[New  Zealanders started hearing things in new ways when new audio technologies arrived from overseas in the late 19th century. From the frst public demonstration of a phonograph in a Blenheim hall in 1879, people were exposed to a succession of machines that captured, stored and transmitted sounds - through radio, cinema and recordings. In The World's Din, Peter Hoar documents the arrival of the frst such 'talking machines', and their growing place in New Zealanders' public and private lives, through the years of radio to the dawn of television. In so doing, he chronicles a 'sonic revolution' in how New Zealanders heard the world. The change was radical, signifying a defining break from the past. Human experience of the world changed forever during the late 19th and early 20th centuries because we learned to capture, store, and transmit sounds and moving images. 'Audio' since then has been a continued refinement of  the original innovation, even in the contemporary era of digital sound, with iPods, streaming audio and Spotify. The World's Din is a beautifully written account that will delight music-lovers and technophiles everywhere. Without further ado, it is time to crank the gramophone, or tune the wireless, or open the Jaffa box as the cinema lights dim, and hearken to the richness and variety of listening in New Zealand's past soundscapes.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1007137</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1007137</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Hoar, Peter, 1961-]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1007137037</comments><format>BK</format><subtitle>Listening to Records, Radio and Films in New Zealand, 1880-1940</subtitle><language>eng</language><image_url/></item><item><title><![CDATA[The Complete New Zealand Record & Cassette Catalogue]]></title><link>https://christchurch.bibliocommons.com/v2/record/S37C1665634</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1665634</guid><category><![CDATA[MAG]]></category><category><![CDATA[eng]]></category><pubDate>Invalid Date</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1665634037</comments><format>MAG</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Get A Life, in Music]]></title><description><![CDATA["This Substack will try to give helpful answers to questions I frequently get asked, about music and the music industry. Sometimes the posts will be practical; possibly useful to musicians and/or people aspiring in the music industry. At other times I may include other random thoughts and rambles related to aspiring to a life, in music. My other intention is to write about the inner workings on Flying Nun Records - the Aotearoa New Zealand record label and record store(s)"--Why subscribe? page.]]></description><link>https://christchurch.bibliocommons.com/v2/record/S37C1600744</link><guid isPermaLink="true">https://christchurch.bibliocommons.com/v2/record/S37C1600744</guid><category><![CDATA[WEBSITE]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2025 00:00:00 GMT</pubDate><comments>https://christchurch.bibliocommons.com/item/comment/1600744037</comments><format>WEBSITE</format><subtitle></subtitle><language>eng</language><image_url/></item></channel></rss>