<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[subject results for "Pop art."]]></title><description><![CDATA[subject results for "Pop art."]]></description><link>https://gateway.bibliocommons.com/v2/libraries/greenwichlibrary/rss/search?query=%22Pop%20art.%22&amp;searchType=subject&amp;origin=core-catalog-explore&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Fri, 10 Apr 2026 09:49:56 GMT</lastBuildDate><item><title><![CDATA[Milton Glaser]]></title><description><![CDATA["From 1954, when he co-founded the legendary Push Pin Studios, to the late '70s, Milton Glaser was one of the most celebrated graphic designers of his day, whose work graced countless book and album covers, posters, magazine covers, and advertisements, both famous and little-known. Glaser largely defined the international visual style for illustration, advertising, and typeface design and interest in his legacy continues unabated, with modern creatives acknowledging his influence; for example, in 2014 Mad Men creator Matthew Weiner enlisted Glaser to design the ad campaign and branding for the show's final season. His renowned work garnered solo exhibitions at the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York. Creator of the iconic 'I love NY' logo (featuring a heart symbol in place of the word 'love') and cofounder of New York magazine, Glaser received numerous accolades and lifetime achievement awards. Across thousands of works across all print media, he invented a graphic language of bright, flat color, drawing and collage, imbued with wit. This collection of work from Glaser's Pop period features hundreds of examples of his design that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture"--Provided by publisher.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1523833</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1523833</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Heller, Steven]]></dc:creator><pubDate>Tue, 31 Jan 2023 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1523833086</comments><format>BK</format><subtitle>Pop</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781580936132/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Pop Art]]></title><description><![CDATA[When Pop Art burst on the art scene in the 1950s as a reaction against abstract expressionism, it found instant favor with its colorful use of images from advertising, signs, soup cans, Coke bottles, and even comic strips. This playfulness is front and center in Draw Like an Artist: Pop Art: a collection of eighteen fun and colorful activities for aspiring Warhols, Hockneys, and Lichtensteins ages ten and up, or anyone who enjoys working with color, pattern, and pop-culture imagery, and gaining a better understanding of the 20th century's most popular art movement. Sixteen perforated pages provide plenty of raw material for collage, drawing backgrounds, and inspiration..]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1231817</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1231817</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Geis, Patricia]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1231817086</comments><format>BK</format><subtitle>Includes 18 Activities to Draw, Paint, &amp; Make!</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781616897017/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Autobiography of A Snake]]></title><description><![CDATA[Noa the Boa' is a slave to fashion with the heart of an actor and an obsession with celebrity. He becomes luxurious leather accessories for illustrious clients - from Grace Kelly's pillow to the codpieces at the Folies Bergere - in a high-fashion gift book for adults that is whimsical, and a little bit naughty. This is a never-before-published story of a snake trying to make it in the world of high society, strongly suggested to be a stand-in for Warhol himself. This story is a brilliant portrait of Warhol's obsessions and his talent.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1184295</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1184295</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Warhol, Andy]]></dc:creator><pubDate>Sun, 31 Jan 2016 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1184295086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780500519257/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Long March of Pop]]></title><description><![CDATA["Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book."--]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1116067</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1116067</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Crow, Thomas E.]]></dc:creator><pubDate>Fri, 31 Jan 2014 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1116067086</comments><format>BK</format><subtitle>Art, Music, and Design, 1930-1995</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780300203974/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Art in America 1945-1970]]></title><description><![CDATA[Experience the creative explosion that transformed American art, in the words of the artists, writers, and critics who were there: In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of American art and shifted the center of the art world from Paris to New York. Signaled by the triumph of abstraction and the ascendancy of painters such as Pollock, Rothko, de Kooning, and Kline, this revolution generated an exuberant and contentious body of writing without parallel in our cultural history. In the words of editor Jed Perl, there has never been a period when the visual arts have been written about with more mongrel energywith more unexpected mixtures of reportage, rhapsody, analysis, advocacy, editorializing, and philosophy. Perl has gathered the best of this writing together for the first time, interwoven with fascinating headnotes that establish the historical background, the outsized personalities of the artists and critics, and the nature of the aesthetic battles that defined the era. Here are statements by the most significant artists, and major critical essays by Clement Greenberg, Susan Sontag, Hilton Kramer, and other influential figures. Here too is an electrifying array of responses by poets and novelists, reflecting the free interplay between different art forms: John Ashbery on Andy Warhol, James Agee on Helen Levitt, James Baldwin on Beauford Delaney, Truman Capote on Richard Avedon, Tennessee Williams on Hans Hofmann, Jack Kerouac on Robert Frank. The atmosphere of the time comes to vivid life in memoirs, diaries, and journalism by Peggy Guggenheim, Dwight Macdonald, Calvin Tomkins, and others. Lavishly illustrated with scores of black-and-white images and a 32-page color insert, this is a book that every art lover will treasure.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1107329</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1107329</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2014 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1107329086</comments><format>BK</format><subtitle>Writings From the Age of Abstract Expressionism, Pop Art and Minimalism</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781598533101/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Pop Object : the Still Life Tradition in Pop Art]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1049438</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1049438</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Wilmerding, John]]></dc:creator><pubDate>Thu, 31 Jan 2013 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1049438086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780847839674/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Andy Warhol]]></title><description><![CDATA[The 'Prince of Pop' Andy Warhol redefined the boundaries between high art and popular culture, from his paintings and prints of Campbell's Soup cans, Brillo boxes, dollar bills to his multiple portraits of such stars as Marilyn Monroe and Elivs Presley. This book explores his work.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1054461</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1054461</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Ketner, Joseph D.]]></dc:creator><pubDate>Thu, 31 Jan 2013 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1054461086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780714861586/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Art of George Rodrigue]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C993722</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C993722</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rodrigue, George]]></dc:creator><pubDate>Tue, 31 Jan 2012 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/993722086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781419703171/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Fabulous]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C982813</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C982813</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Christensen, Bonnie]]></dc:creator><pubDate>Mon, 31 Jan 2011 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/982813086</comments><format>BK</format><subtitle>A Portrait of Andy Warhol</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780805087536/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Rock Candy]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C906151</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C906151</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Hiemstra, Femke]]></dc:creator><pubDate>Sat, 31 Jan 2009 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/906151086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781606991497/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Pop]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C928908</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C928908</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Scherman, Tony]]></dc:creator><pubDate>Sat, 31 Jan 2009 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/928908086</comments><format>BK</format><subtitle>The Genius of Andy Warhol</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780066212432/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Whaam!]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C897885</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C897885</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rubin, Susan Goldman]]></dc:creator><pubDate>Thu, 31 Jan 2008 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/897885086</comments><format>BK</format><subtitle>The Art &amp; Life of Roy Lichtenstein</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780810994928/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[POPism]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C829920</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C829920</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Warhol, Andy]]></dc:creator><pubDate>Tue, 31 Jan 2006 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/829920086</comments><format>BK</format><subtitle>The Warhol Sixties</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780156031110/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Image Duplicator]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C793171</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C793171</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Lobel, Michael]]></dc:creator><pubDate>Thu, 31 Jan 2002 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/793171086</comments><format>BK</format><subtitle>Roy Lichtenstein and the Emergence of Pop Art</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780300087628/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Pop Art]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C817862</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C817862</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[McCarthy, David]]></dc:creator><pubDate>Mon, 31 Jan 2000 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/817862086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781854373045/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Wayne Thiebaud]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C634863</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C634863</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Nash, Steven A.]]></dc:creator><pubDate>Mon, 31 Jan 2000 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/634863086</comments><format>BK</format><subtitle>A Paintings Retrospective</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780500092927/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Pop Art]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C613624</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C613624</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Lippard, Lucy R.]]></dc:creator><pubDate>Thu, 31 Jan 1985 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/613624086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780500200520/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Redgrooms]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C756329</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C756329</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Grooms, Red]]></dc:creator><pubDate>Invalid Date</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/756329086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780847825776/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Peter Saul]]></title><description><![CDATA[An epistolary history of postwar American art through the weird and wonderful mind of Peter Saul.  Painter Peter Saul (born 1934), considered one of the founding fathers of pop art but certainly not reducible to that movement, is best known for his cartoonish paintings in Day-Glo hues satirizing American culture. Saul was born and raised in Northern California, attended Washington University, lived in Europe from 1956 to 1964, and then settled in Marin County from 1964 to 1976, where he found a community and began to make his reputation.  The story of Saul's development in these crucial years is narrated by the artist himself in Peter Saul : Professional Artist Correspondence, 1945-1976. The letters in this volume, first to Saul's parents and then to his dealer, Allan Frumkin, are intimate and wide-ranging, full of the same kind of observations that make Saul's work so compelling.  Throughout this period Saul was concerned not only with making his work but also making his life as an artist. The book is therefore very much the story of an artist finding his voice and then attempting to understand and participate in "the art world", as Saul worked first through pop, then "funk", and then essentially created his own category. Taken together, the letters in this book form not just an autobiography of the artist, but a memoir of American art history at a critical moment.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1321892</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1321892</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1321892086</comments><format>BK</format><subtitle>Professional Artist Correspondence 1945-1976</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781942884583/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Pop Trash]]></title><description><![CDATA["Pop artist Jason Mecier creates playful, insanely detailed portraits of celebrities using trash candy, and other items, making sculptural celebrations of his subjects and our fascination with fame. Here is Amy Sedaris assembled from her own trash, David Bowie made out of cosmetics and feathers, Snoop Dogg sculpted out of weed, Justin Timberlake and Miley Cyrus crafted out of candy, and Kevin Bacon made out of bacon. The meticulously created images are as beautiful as they are entertaining, literally trashy and candy-colored spotlights on the glamorous and infamous"-- Provided by publisher.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1241249</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1241249</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Mecier, Jason]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1241249086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781452170121/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[After Andy]]></title><description><![CDATA["In After Andy, writer Natasha Fraser-Cavassoni recounts her experience working in Andy Warhol's studio, and explores Warhol's influence--during his life and forever after--on the art world, pop culture, society, and fashion, and how his iconic status gave rise to some of our most influential tastemakers today. Spanning her own childhood through her late twenties, Natasha Fraser-Cavassoni's After Andy is a memoir and social exploration of the influence that artist Andy Warhol exerted throughout his lifetime and beyond. Born and raised in 1960's London, the daughter of a famous politician and equally famous author-mother, Fraser-Cavassoni was one of many children and adolescents who looked toward America for the explosion of art, music and entertainment that was shaping the new culture. A precocious, rambunctious adolescent, Fraser-Cavassoni grew in just a matter of a few teenage years from a punk-rock-loving convent schoolgirl to party-girl socialite to becoming linked in the tabloids to Mick Jagger. In her quest to find a place for herself in the world, Fraser-Cavassoni found herself meeting Andy Warhol on and off over the years before landing in New York City at Andy Warhol Enterprises, or as she calls it, 'Adventures in Warhol Land.' In her breezy, witty, self-deprecating prose, Fraser-Cavassoni takes the reader deep into the pop artist's world--as well as miles into the stratosphere of the socialites, movie stars, royal figures, and downtown NYC artists who could be found in Warhol's orbit--working and partying closely with Fred Hughes, Ed Hayes, Brigid Berlin, Vincent Fremont, and many others who were part of the Factory clan. Having been the last person hired to work at the Warhol Studio before Warhol's death, Fraser-Cavassoni recounts the end of an era and the establishment of a global icon. From the behind-the-scenes conflict and disagreements over his personal possessions and art inventory, to the record-breaking auction of his belongings and publication of his diaries, Fraser-Cavassoni had a front seat for much of the goings-on. She explores the immediate aftermath of Warhol's death and his ever-growing influence that ranged from New York and Los Angeles and throughout Europe, and his effect on rock music, fashion and other artists, and interviews dozens of the people who knew him well"-- Provided by publisher.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1210035</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1210035</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Fraser-Cavassoni, Natasha]]></dc:creator><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1210035086</comments><format>BK</format><subtitle>Adventures in Warhol Land</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780399183539/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Jasper Johns]]></title><description><![CDATA["Jasper Johns's art unites mastery, mystery, simplicity, and contradiction. His methodical working process combines intense deliberation and experimentation, obsessive craft, cycles of revision and repetition, and decisive shifts of direction. Johns also frequently borrows images from other artists, which, ironically, only underscores the originality of his own vision. His work occupies a key position in the art of the second half of the twentieth century. Jasper Johns: A Retrospective is the most complete and authoritative resource on it available, containing 264 color plates illustrating his paintings, drawings, sculptures, and prints. Accompanying essays review his essential themes, analyze his references to other artists, and explore how his contemporaries have, in turn, seen and absorbed his own work. The plates are arranged to follow the stages of his career, allowing comparison of paintings, drawings, sculptures, and prints from each period, as his style developed and changed. That comprehensive selection of reproductions is interwoven with an illustrated chronology tracing Johns' life and work with unprecedented accuracy and thoroughness. With its scholarly essays and extensive bibliography, Jasper Johns: A Retrospective is the indispensable reference work on this crucial artist. This volume was originally published to accompany the major exhibition of Johns' work held at The Museum of Modern Art in 1996 and 1997, his first full retrospective in 20 years. It has been out of print since 2002"--Provided by publisher.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1228824</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1228824</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Johns, Jasper]]></dc:creator><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1228824086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781910350690/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The World Goes Pop]]></title><description><![CDATA[The World Goes Pop explores the contemporaneous engagements with a spirit of pop throughout the globe, concentrating not only on the relatively well-covered activity in the US, UK and France but also on developments throughout Central and Eastern Europe, Latin America, Asia, Africa and the Middle East. From the late 1950s onwards, numerous artists and movements with a Pop aesthetic developed throughout these continents, including Nouveau realisme, Neo Dada, New Figuration, Equipo Cronica, and Cronica de la Realidad and Saqqakhaneh or Spiritual Pop, as well as such singular figures as Oyvind Fahlstrom, Keiichi Tanaami, and Erro. These artists and movements differed from one another due to their geographies as much as to their exposure to centralised or marginal cultural manifestations, and they were informed by their respective traditions, social and political movements. This unique book offers an opportunity to examine the origins and socio-political side of Pop, including pop and the political representation; pop and the new sexual politics; pop and the mass; seriality, distribution and the role of print production.Featuring six newly-commissioned essays from a wide range of international contributors, and produced in close collaboration with the artists involved, The World Goes Pop is the first book to rely on primary sources to re-evaluate Pop art throughout the globe.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1144297</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1144297</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Sat, 31 Jan 2015 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1144297086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780300216998/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Who Was Andy Warhol?]]></title><description><![CDATA[Profiles the life and accomplishments of the printmaker who overcame poverty and illness to become the founder of the Pop Art movement.]]></description><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C1173236</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C1173236</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Anderson, Kirsten]]></dc:creator><pubDate>Fri, 31 Jan 2014 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/1173236086</comments><format>EBOOK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780698187382/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Seductive Subversion : Women Pop Artists, 1958-1968]]></title><link>https://greenwichlibrary.bibliocommons.com/v2/record/S86C953974</link><guid isPermaLink="true">https://greenwichlibrary.bibliocommons.com/v2/record/S86C953974</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Sun, 31 Jan 2010 00:00:00 GMT</pubDate><comments>https://greenwichlibrary.bibliocommons.com/item/comment/953974086</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780789210654/MC.GIF&amp;client=greenwich&amp;type=xw12&amp;oclc=</image_url></item></channel></rss>