<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[author results for Rankine, Claudia,]]></title><description><![CDATA[author results for Rankine, Claudia,]]></description><link>https://gateway.bibliocommons.com/v2/libraries/hclib/rss/search?query=Rankine%2C%20Claudia%2C&amp;searchType=author&amp;origin=core-catalog-explore&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Sun, 11 Oct 2026 11:00:53 GMT</lastBuildDate><item><title><![CDATA[Noah Davis]]></title><description><![CDATA["This striking exhibition catalog celebrates the late artist whose deeply emotional works intermingled realism with abstraction to address complex themes of identity, race, and community. American artist Noah Davis (1983-2015) believed 'painting does something to your soul that nothing else can. It is visceral and immediate.' Drawing on art history, personal archives, anonymous photography found in Los Angeles' flea markets, and his own imagination, he compiled a ravishing body of figurative paintings that explore a range of Black life. Alongside his celebrated paintings, Davis made drawings, collages, and sculptures, and co-founded the Underground Museum. This elegantly designed volume documents the span of Davis's career and attends to his commitment to representation in the art world and community engagement at the Underground Museum. Alongside new scholarship from writers, artists, and musicians like Tina M. Campt, Claudia Rankine, Marlene Dumas, and Jason Moran, this catalog features high-quality reproductions of Davis's more widely-known works as well as previously unseen archival material. A vital resource for understanding the depth and significance of his practice, this beautiful publication reveals how humanity, humor, imagination, and above all, people, were the epicenter of Davis's work." --Amazon.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6725854</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6725854</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Davis, Noah, 1983-2015]]></dc:creator><pubDate>Wed, 31 Jan 2024 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6725854109</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9783791377742/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[American Women Poets in the 21st Century]]></title><link>https://hclib.bibliocommons.com/v2/record/S109C4218584</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C4218584</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Thu, 31 Jan 2002 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/4218584109</comments><format>BK</format><subtitle>Where Lyric Meets Language</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780819565464/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Dawoud Bey]]></title><description><![CDATA[Dawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan's bombing of Birmingham, Alabama's Sixteenth Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series' place within Bey's wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works' evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present.-- From publisher description.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6676195</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6676195</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Bey, Dawoud, 1953-]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6676195109</comments><format>BK</format><subtitle>Two American Projects</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780300248500/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Racial Imaginary]]></title><description><![CDATA["To think of creativity in terms of transcendence is itself specific and partial--a lovely dream perhaps, but an inhuman one. "It is not only white writers who make a prize of transcendence, of course. Many writers of all backgrounds see the imagination as a historical, as a generative place where race doesn't and shouldn't enter, a place of bodies that transcend the legislative, the economic--in other words, transcend the stuff that doesn't lend itself much poetry. In this view the imagination is postracial, a posthistorical and postpolitical utopia. . . . To bring up race for these writers is to inch close to the anxious space of affirmative action, the scarring qualifieds. "So everyone is here."--Claudia Rankine and Beth Loffreda, from the introduction In 2011, a poem published in a national magazine by a popular white male poet made use of a black female body. A conversation ensued, and ended. Claudia Rankine subsequently created Open Letter, a web forum for writers to relate the effects and affects of racial difference and to explore art's failure, thus far, to adequately imagine"--Provided by publisher.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C5629919</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C5629919</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Sun, 31 Jan 2016 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/5629919109</comments><format>BK</format><subtitle>Writers on Race in the Life of the Mind</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781934200797/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Triage]]></title><description><![CDATA["Claudia Rankine has widened contemporary literature with her consciousness-raising, genre-defying works. In her first book after her celebrated American trilogy, presented with full-color visuals, Rankine shifts into sustained narrative, memory, criticism, and essay to offer her most personal and emotionally resonant writing yet. Triage follows the turbulent friendship between two composite characters, the narrator and the theorist, self-identified sisters struggling to define their wounded histories and their shared but separate lives. During college, they invent a game of collapse: Every time they see each other, they have to stop and fall to the ground. As their kinship continues off and on for decades, 'collapse' takes on new meanings that are seen and felt in the violence of their pasts, artworks depicting couches where someone might ease their exhaustion, the ongoing devastation in Gaza, and the antagonism of their conversation and their love for each other. Triage is an argument for the necessity of grieving and the demand for action in our time of relentless loss. 'No matter our posture,' Rankine writes, 'we are all among the rubble.' This is a book for those complicated but beautiful friendships that we come to rely on to unsettle us, to make us better"-- Provided by publisher.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6908563</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6908563</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Sat, 31 Jan 2026 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6908563109</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781644454008/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Citizen]]></title><description><![CDATA["Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV -- everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named 'post-race' society."--from publisher's description.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C5154260</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C5154260</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Fri, 31 Jan 2014 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/5154260109</comments><format>BK</format><subtitle>An American Lyric</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781555976903/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Just Us]]></title><description><![CDATA["At home and in government, contemporary America finds itself riven by a culture war in which aggression and defensiveness alike are on the rise. It is not alone. In such partisan conditions, how can humans best approach one another across our differences? Taking the study of whiteness and white supremacy as a guiding light, Claudia Rankine explores a series of real encounters with friends and strangers - each disrupting the false comfort of spaces where our public and private lives intersect, like the airport, the theatre, the dinner party and the voting booth - and urges us to enter into the conversations which could offer the only humane pathways through this moment of division. Just Us is an invitation to discover what it takes to stay in the room together, and to breach the silence, guilt and violence that surround whiteness. Brilliantly arranging essays, images and poems along with the voices and rebuttals of others, it counterpoints Rankine's own text with facing-page notes and commentary, and closes with a bravura study of women confronting the political and cultural implications of dyeing their hair blonde."--Publisher's description.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6040624</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6040624</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6040624109</comments><format>BK</format><subtitle>An American Conversation</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781644450215/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Just Us]]></title><description><![CDATA[Claudia Rankine's Citizen changed the conversation'Just Us urges all of us into it As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another' Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankine's questions disrupt the false comfort of our culture's liminal and private spaces'the airport, the theater, the dinner party, the voting booth'where neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect. This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friend's explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankine's own text, complicating notions of authority and who gets the last word. Sometimes wry, often vulnerable, and always prescient, Just Us is Rankine's most intimate work, less interested in being right than in being true, being together.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6728632</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6728632</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6728632109</comments><format>EBOOK</format><subtitle>An American Conversation</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781644451199/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Don't Let Me Be Lonely]]></title><link>https://hclib.bibliocommons.com/v2/record/S109C1060727</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C1060727</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Sat, 31 Jan 2004 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/1060727109</comments><format>BK</format><subtitle>An American Lyric</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781555974077/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Don't Let Me Be Lonely]]></title><description><![CDATA[A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine's Don't Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars--doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age. First published in 2004, Don't Let Me Be Lonely is a hauntingly prescient work, one that has secured a permanent place in American literature. This new edition is presented in full color with updated visuals and text, including a new preface by the author, and matches the composition of Rankine's best-selling and award-winning Citizen and Just Us as the first book in her acclaimed American trilogy. Don't Let Me Be Lonely is a crucial guide to surviving a fractured and fracturing American consciousness--a book of rare and vital honesty, complexity, and presence.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6632325</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6632325</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Wed, 31 Jan 2024 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6632325109</comments><format>BK</format><subtitle>An American Lyric</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781644452554/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Rashid Johnson]]></title><description><![CDATA["The most comprehensive publication to date on widely celebrated artist Rashid Johnson. Working with a variety of media that includes painting, sculpture, photography, video, and performance, Rashid Johnson has created a nuanced and iconographic body of work that connects literature, music, and art. Personal references and pervasive cultural narratives are interweaved with the legacy of modernist abstraction, producing what critics have labelled 'conceptual post-black art'. A precocious talent (his work was included in the seminal 'Freestyle' exhibition in New York in 2001), Johnson received the High Museum of Art's David C. Driskell Prize, which honours contributions in the field of African-American art"--Publisher's description.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6530503</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6530503</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Tue, 31 Jan 2023 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6530503109</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781838663261/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The White Card]]></title><description><![CDATA["A play about the imagined fault line between black and white lives by Claudia Rankine, the author of Citizen. The White Card stages a conversation that is both informed and derailed by the black/white American drama. The scenes in this one-act play, for all the characters' disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond."--Publisher's description.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C5833157</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C5833157</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Thu, 31 Jan 2019 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/5833157109</comments><format>BK</format><subtitle>A Play in One Act</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781555978396/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Citizen]]></title><description><![CDATA["Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV -- everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named 'post-race' society."--from publisher's description.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C5633643</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C5633643</guid><category><![CDATA[BOOK_CD]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Sat, 31 Jan 2015 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/5633643109</comments><format>BOOK_CD</format><subtitle>An American Lyric</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781494510510/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Citizen]]></title><description><![CDATA["Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV -- everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named 'post-race' society."--from publisher's description.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C5272654</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C5272654</guid><category><![CDATA[EAUDIOBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Sat, 31 Jan 2015 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/5272654109</comments><format>EAUDIOBOOK</format><subtitle>An American Lyric</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781494580513/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Triage]]></title><link>https://hclib.bibliocommons.com/v2/record/S109C6939243</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6939243</guid><category><![CDATA[EAUDIOBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Sat, 31 Jan 2026 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6939243109</comments><format>EAUDIOBOOK</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Triage]]></title><description><![CDATA[A groundbreaking new direction for Claudia Rankine, the best-selling author of Citizen and Just UsClaudia Rankine has widened contemporary literature with her consciousness-raising, genre-defying works. In her first book after her celebrated American trilogy, presented with full-color visuals, Rankine shifts into sustained narrative, memory, criticism, and essay to offer her most personal and emotionally resonant writing yet.Triage follows the turbulent friendship between two composite characters, the narrator and the theorist, self-identified sisters struggling to define their wounded histories and their shared but separate lives. During college, they invent a game of collapse: Every time they see each other, they have to stop and fall to the ground. As their kinship continues off and on for decades, "collapse" takes on new meanings that are seen and felt in the violence of their pasts, artworks depicting couches where someone might ease their exhaustion, the ongoing devastation in Gaza, and the antagonism of their conversation and their love for each other.Triage is an argument for the necessity of grieving and the demand for action in our time of relentless loss. "No matter our posture," Rankine writes, "we are all among the rubble." This is a book for those complicated but beautiful friendships that we come to rely on to unsettle us, to make us better.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6926797</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6926797</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Sat, 31 Jan 2026 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6926797109</comments><format>EBOOK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781644454015/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Solo nosotros]]></title><description><![CDATA["En un contexto mundial en el que ya no podemos dejar de observar el modo en que la intolerancia forma parte de nuestra vida cotidiana, ¿cómo acercarse al otro?, ¿cómo entablar una conversación?, ¿cómo romper con la aparente neutralidad que solo esconde una discriminación naturalizada a lo largo de cientos de años? En Solo nosotros, Claudia Rankine recorre espacios liminales como un aeropuerto, una sala de teatro, una reunión de padres en una escuela, una cena, una sala de espera en un consultorio médico, y en cada uno observa y reflexiona sobre los alcances y las consecuencias de la discriminación estructural, del privilegio masculino blanco, de los nítidos resabios de la esclavitud estadounidense. A partir de una investigación multifacética, que incluye desde poemas, fotografías y tuits hasta estadísticas, notas periodísticas y bibliografía de diversas disciplinas, Rankine compone un libro fascinante en el que su propio texto se va mezclando con estas fuentes a partir de un original sistema de verificación y, mientras tanto, se interroga a ella misma, a quienes la rodean y también a nosotros"--Provided by publisher.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6400817</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6400817</guid><category><![CDATA[BK]]></category><category><![CDATA[spa]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6400817109</comments><format>BK</format><subtitle>una conversación estadounidense</subtitle><language>spa</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781644211588/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Solo nosotros]]></title><description><![CDATA[The Spanish edition of Claudia Rankine's (Citizen) new, acclaimed, genre-bending reflection on whiteness in America. "A skyscraper in the literature on racism." --Christian Science Monitor "Rankine [is] helping America understand itself, one conversation at a time." --Associated Press NAMED A BEST BOOK OF 2020 by The New York Times, Time Magazine, NPR, Esquire, The Guardian, O Magazine, Ms. Magazine, Star Tribune, St. Louis Post Dispatch, Christian Science Monitor, Kirkus Reviews, and Publishers Weekly As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. This brilliant arrangement of essays, poems, and images is Rankine's most intimate work, less interested in being right than in being true, being together.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6382003</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6382003</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[spa]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6382003109</comments><format>EBOOK</format><subtitle>una conversación estadounidense</subtitle><language>spa</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781644211595/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Don't Let Me Be Lonely]]></title><description><![CDATA[I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government. Don't Let Me Be Lonely is an important confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6331555</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6331555</guid><category><![CDATA[EAUDIOBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6331555109</comments><format>EAUDIOBOOK</format><subtitle>An American Lyric</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781696606738/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Citizen (Italian)]]></title><link>https://hclib.bibliocommons.com/v2/record/S109C6373240</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6373240</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6373240109</comments><format>EBOOK</format><subtitle></subtitle><language>eng</language><image_url/></item><item><title><![CDATA[Plot]]></title><description><![CDATA["A postmodern dialogue about pregnancy, childbirth, and artistic expression, the electrifying journey is charted through dreams, conversations, and reflections - it crosses genres, existing at times in poetry, at times in dialogue and prose, in order to arrive at a new understanding of humanity."--Jacket.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C5629916</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C5629916</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Wed, 31 Jan 2001 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/5629916109</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780802137920/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Plot]]></title><link>https://hclib.bibliocommons.com/v2/record/S109C5853262</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C5853262</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Wed, 31 Jan 2001 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/5853262109</comments><format>EBOOK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780802198525/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The End of the Alphabet]]></title><link>https://hclib.bibliocommons.com/v2/record/S109C5853233</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C5853233</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Sat, 31 Jan 1998 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/5853233109</comments><format>EBOOK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780802198532/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The End of the Alphabet]]></title><description><![CDATA[Claudia Rankine's second poetry collection, The End of the Alphabet, is an inquiry into despair and recovery, selfhood and alienation.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C5629902</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C5629902</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Rankine, Claudia, 1963-]]></dc:creator><pubDate>Sat, 31 Jan 1998 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/5629902109</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780802124470/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The 1619 Project]]></title><description><![CDATA["The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culture, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to understand its powerful influence on our present, can we prepare ourselves for a more just future"-- Provided by publisher.]]></description><link>https://hclib.bibliocommons.com/v2/record/S109C6195849</link><guid isPermaLink="true">https://hclib.bibliocommons.com/v2/record/S109C6195849</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://hclib.bibliocommons.com/item/comment/6195849109</comments><format>EBOOK</format><subtitle>A New Origin Story</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780593230589/MC.GIF&amp;client=hennp&amp;type=xw12&amp;oclc=</image_url></item></channel></rss>