Midway through his life, an artist begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success.

In Paris, a woman is attacked by a stranger in the street. The attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas.

When a woman dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.

An artist takes on a series of pseudonyms to conceal his work from his mother and father. His brother does the opposite. They share the same parents, but they have inherited different things.

Parade is a story that confronts and demolishes the conventions of storytelling. It surges past the limits of identity, character and plot to tell a true story—about art, family, morality, gender and how we compose ourselves. A writer and a visionary like no other, Rachel Cusk turns language upside down to show us our world as it really is.

On O, The Oprah Magazine's list of 55 of the Most Anticipated Books of 2021

On a sun-soaked Parisian street, M, a mother on the brink of rebellion, wanders into a famous artist's gallery show. The artist's paintings speak—quite literally—to her, promising a liberation usually reserved for men. She returns to the coastal home she shares with her husband, but the unsettling impression of the art, and the evasive artist, remains. So she writes to him, inviting him to stay in their second place, a modest cottage salvaged from the land.

When historical catastrophe upends daily life, M's daughter returns to the marsh, along with her prim, privileged boyfriend. The painter arrives too, accompanied by a lithe, cosmopolitan lover. As the couples become resigned to the perilous indoors, fissures form within the strange group. The painter's quietly demonic presence wreaks havoc with M, plunging her into existential disarray. As secrets, alliances and private desires come to light, she is forced to choose between her deepest impulses: to comply or to rebel completely.

Like her acclaimed Outline trilogy, Rachel Cusk's Second Place transcends its form. Inspired by Lorenzo in Taos, Mabel Dodge Luhan's 1932 memoir about the writer D. H. Lawrence's fraught visit to her communal property, the novel hovers between past and present, Gothic and contemporary, fable and truth—and continues to haunt us long after we've looked away.