<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[author results for Diaz, Natalie]]></title><description><![CDATA[author results for Diaz, Natalie]]></description><link>https://gateway.bibliocommons.com/v2/libraries/pima/rss/search?query=Diaz%2C%20Natalie&amp;searchType=author&amp;origin=core-catalog-explore&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Fri, 16 Oct 2026 23:29:40 GMT</lastBuildDate><item><title><![CDATA[Postcolonial Love Poem]]></title><link>https://pima.bibliocommons.com/v2/record/S91C1996980</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C1996980</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Diaz, Natalie]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/1996980091</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9781644450147&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[Postcolonial Love Poem]]></title><description><![CDATA[Winner of the 2021 Pulitzer Prize in Poetry Finalist for the 2020 National Book Award for Poetry Finalist for the 2020 Los Angeles Times Book Prize for Poetry Finalist for the 2020 Forward Prize for Best Collection Postcolonial Love Poem , the brilliant second collection from Natalie Diaz, holds in its pages the urgent appeal for all bodies―bodies of lovers, family, enemies, as well as of language and rivers and land―to be held dearly. In her lyrical landscape, Diaz tenderly prods the wounds inflicted by America onto its Indigenous peoples. When she states andamp;ldquo;Let me call my anxiety, desire , then. / Let me call it, a garden ,&rdquo; Diaz allows for the sensation of pleasure to be found in pain; in asserting the autonomy found within desire, the poet simultaneously enables the bodies of Indigenous, Latinx, black, and brown women to be both political and euphoric; and by forcing language to its limits, place is imbued with joy and grief, sensuality and destruction. In this collection, Natalie Diaz opens up and confronts the conditions from which she writes, embracing bodies like hers and those she loves which have been diminished and erased. As Postcolonial Love Poem offers a picture of an America built on hope and the agency of our future choices, it is love Natalie Diaz offers most tenderly in her hands.]]></description><link>https://pima.bibliocommons.com/v2/record/S91C2215424</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C2215424</guid><category><![CDATA[AB]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Diaz, Natalie]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/2215424091</comments><format>AB</format><subtitle>Poems</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9780771096495&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[When My Brother Was an Aztec]]></title><description><![CDATA["I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams .I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it--He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . .]]></description><link>https://pima.bibliocommons.com/v2/record/S981C11858751</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S981C11858751</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Diaz, Natalie]]></dc:creator><pubDate>Tue, 31 Jan 2012 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/11858751981</comments><format>EBOOK</format><subtitle/><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9781619320338&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[When My Brother Was an Aztec]]></title><description><![CDATA[<p>"I write <I>hungry</I> sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.</p><p><I>I watched a lion eat a man like a piece of fruit, peel tendons from fascia<BR>like pith from rind, then lick the sweet meat from its hard core of bones.<BR>The man had earned this feast and his own deliciousness by ringing a stick<BR>against the lion's cage, calling out Here, Kitty Kitty, Meow!</I></p><p>W<I>ith one swipe of a paw much like a catcher's mitt with fangs, the lion<BR>pulled the man into the cage, rattling his skeleton against the metal bars.</I></p><p><I>The lion didn't want to do it—<BR>He didn't want to eat the man like a piece of fruit and he told the crowd<BR>this: I only wanted some goddamn sleep . . . </I></p><p><B>Natalie Diaz</B> was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.</p>]]></description><link>https://pima.bibliocommons.com/v2/record/S980C1276069</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S980C1276069</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Diaz, Natalie]]></dc:creator><pubDate>Tue, 31 Jan 2012 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/1276069980</comments><format>EBOOK</format><subtitle/><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9781619320338&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[Living Nations, Living Words]]></title><description><![CDATA["A powerful, moving anthology that celebrates the breadth of Native poets writing today. Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry. This companion anthology features each poem and poet from the project to offer readers a chance to hold the wealth of poems in their hands. With work from Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, Layli Long Soldier, among others, Living Nations, Living Words showcases, as Joy Harjo writes in her stirring introduction, "poetry [that] emerges from the soul of a community, the heart and lands of the people. In this country, poetry is rooted in the more than 500 living indigenous nations. Living Nations, Living Words is a representative offering.""-- Provided by publisher.]]></description><link>https://pima.bibliocommons.com/v2/record/S91C2079633</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C2079633</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/2079633091</comments><format>BK</format><subtitle>An Anthology of First Peoples Poetry</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9780393867916&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[Little Alleluias]]></title><description><![CDATA["A curated compendium of poetry and prose from the award-winning poet Mary Oliver, including the book-length masterpiece The Leaf and the Cloud, the collection What Do We Know, and essays from Long Life--with a foreword by fellow Pulitzer Prize-winning author of Postcolonial Love Poem Natalie Diaz. For the many admirers of Mary Oliver's breathtaking poetry of touch and transcendence, as well as for those coming to her words for the first time, Little Alleluias is a revelation. These works observe, search, pause, astonish, and give thanks to both love and the natural world. In constant conversation with the sublime, (i.e. "Are you afraid? / Somewhere a thousand swans are flying / through winter's worst storm."), Oliver has the rare skill of rendering life: her poems bring movement to stillness, and people to the Earth, themselves, and each other. Her essays declare her heart and her home, too, alongside thoughts on Wordsworth, Emerson, and Hawthorne--the odes and elegies of Provincetown's resident poet. On each page, Mary Oliver invites us to walk through her minutes, her moments, and revere the light and dark and rainbowed clothes of the world alongside her. With three distinct books collected in one volume for the first time, Little Alleluias asks what passes and what persists, and offers readers the peace that every mind deserves. "Hers is a purposeful language, one that looks not just with attention but with sensual intention, and though awestruck, seeks to hold, even briefly, the unknowns of the energies that make any life. Little alleluias, she called her writings. Not meant to define but to praise, to rejoice in the maker and what has been made, to dare be heard as a whisper or a shout in this immense world"--Natalie Diaz, in her Foreword"-- Provided by publisher.]]></description><link>https://pima.bibliocommons.com/v2/record/S91C2206074</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C2206074</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Oliver, Mary]]></dc:creator><pubDate>Fri, 31 Jan 2025 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/2206074091</comments><format>BK</format><subtitle>Collected Poetry and Prose</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9780306835810&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[Beyond the Glittering World]]></title><description><![CDATA["Rooted in visions of Indigenous futurisms, Beyond the Glittering World proclaims and celebrates a rising generation of storytellers. The collection brings together twenty-two emerging and established women, two-spirit people, and people of marginalized genders who immerse readers in poems, stories, and worlds that challenge and delight. From a museum heist 177 years in the making, to lyrical explorations of love and loss, to a tale where language itself becomes the force that saves the land, this boundary-breaking, genre-bending anthology illuminates the power of Indigenous voices"-- Page 4 of cover.]]></description><link>https://pima.bibliocommons.com/v2/record/S91C2206632</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C2206632</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2025 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/2206632091</comments><format>BK</format><subtitle>An Anthology of Indigenous Feminisms and Futurisms</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9798890920300&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[Beyond the Glittering World]]></title><description><![CDATA[<b>Rooted in visions of Indigenous futurisms, <i>Beyond the Glittering World</i> proclaims and celebrates a rising generation of storytellers.
</b><br>"A magnificent opus my heart hears in whispers and lee-lees, every chord resonating truths."
<br><b>—ANGELINE BOULLEY</b>, <i>Sisters in the Wind</i>
<br>The collection brings together twenty-two emerging and established women, two-spirit people, and people of marginalized genders who immerse readers in poems, stories, and worlds that challenge and delight. From a museum heist 177 years in the making, to lyrical explorations of love and loss, to a tale where language itself becomes the force that saves the land, this boundary-breaking, genre-bending anthology illuminates the power of Indigenous voices.
]]></description><link>https://pima.bibliocommons.com/v2/record/S980C12499394</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S980C12499394</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2025 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/12499394980</comments><format>EBOOK</format><subtitle>An Anthology of Indigenous Feminisms and Futurisms</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9798890920317&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[The Newborn Twins Sleep Guide]]></title><description><![CDATA[Raising twins doesn't have to fill you with sleep dread. There are many small ways to help them sleep just a little bit better right now and together, these can add up to significantly better sleep for everyone!

As founder of Twiniversity, Natalie Diaz has welcomed millions of parents into the rewarding world of parenting twins. Now, she and longtime friend Kim West, known around the world as The Sleep Lady®, turn their attention to helping parents of twins navigate their babies' early months.

In month-by-month chapters that are easy to navigate, this sleep road map will teach you: how sleep shaping can begin during your twin pregnancy through nursery setup and more; how feeding, attachment, soothing, and temperament all factor into your babies' sleep; alternatives to the "cry it out" method; key developmental milestones and how to encourage sleep at every stage; how preterm birth, and therefore sleep, impact your twins' early life and how to best support your duo; why it's so important to take care of yourself during the sleep coaching stage.

The Newborn Twins Sleep Guide provides clear guidance and a gentle approach to help you feel better about the entire sleep process, from A to ZZZs.]]></description><link>https://pima.bibliocommons.com/v2/record/S981C16707623</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S981C16707623</guid><category><![CDATA[EAUDIOBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Natalie Diaz, CLC, CPST, Kim West, MSW]]></dc:creator><pubDate>Wed, 31 Jan 2024 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/16707623981</comments><format>EAUDIOBOOK</format><subtitle>The Nap and Nighttime Sanity Saver for Your Duo&apos;s First Five Months</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9798855539073&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[A Compass on the Navigable Sea]]></title><description><![CDATA["A Compass on the Navigable Sea" is a bold anthology that reimagines what international writing can be. This collection brings together powerful poetry, visionary lectures, and urgent reflections to comprise a literary beacon for a rapidly changing world. Spanning five dynamic sections, this archive offers readers a vibrant map of how stories cross borders, bridge histories, and shape futures. With contributions by Octavio Paz, Elie Wiesel, Ngũgĩ wa Thiong'o, Toni Morrison, Dubravka Ugrešić, and many others, the collection bridges genre, time, and location to ask: What can literature do in a time of crisis?]]></description><link>https://pima.bibliocommons.com/v2/record/S91C2214877</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C2214877</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Sat, 31 Jan 2026 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/2214877091</comments><format>BK</format><subtitle>100 Years of World Literature</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9781632064134&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[Tales of Two Americas]]></title><description><![CDATA["In Tales of Two Americas, some of the literary world's most exciting writers look beyond numbers and wages to convey what it feels like to live in this divided nation. Their extraordinarily powerful stories, essays, and poems demonstrate how boundaries break down when experiences are shared, and that in sharing our stories we can help to alleviate a suffering that touches so many people."--Page 4 of cover.]]></description><link>https://pima.bibliocommons.com/v2/record/S91C1855158</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C1855158</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Tue, 31 Jan 2017 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/1855158091</comments><format>BK</format><subtitle>Stories of Inequality in A Divided Nation</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9780143131038&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[We Are the Middle of Forever]]></title><description><![CDATA["A powerful, intimate collection of conversations with Indigenous Americans on the climate crisis and the Earth's future"-- Provided by publisher.]]></description><link>https://pima.bibliocommons.com/v2/record/S91C2113619</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C2113619</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/2113619091</comments><format>BK</format><subtitle>Indigenous Voices From Turtle Island on the Changing Earth</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9781620976692&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[You Don't Have to Be Everything]]></title><description><![CDATA["A contemporary poetry anthology that offers girls and young women wisdom and compassion for a vital, formative time in their lives."-- Publisher's description.]]></description><link>https://pima.bibliocommons.com/v2/record/S91C2072530</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C2072530</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/2072530091</comments><format>BK</format><subtitle>Poems for Girls Becoming Themselves</subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9781523510993&amp;content=M&amp;Return=1&amp;Type=M</image_url></item><item><title><![CDATA[The Best American Poetry 2021]]></title><description><![CDATA["Since 1988, The Best American Poetry series has been "one of the mainstays of the poetry publication world" (Academy of American Poets). Each volume presents a choice of the year's most memorable poems, with comments from the poets themselves lending insight into their work. The guest editor of The Best American Poetry 2021 is Tracy K. Smith, the former United States Poet Laureate, whose own poems are, Toi Derricotte's words, "beautiful and serene" in their surfaces with an underlying "sense of an unknown vastness." In The Best American Poetry 2021, Smith has selected a distinguished array of works both vast and beautiful by such important voices as Henri Cole, Billy Collins, Louise Erdrich, Nobel laureate Louise Glück, Terrance Hayes, and Kevin Young." --Provided by publisher.]]></description><link>https://pima.bibliocommons.com/v2/record/S91C2099594</link><guid isPermaLink="true">https://pima.bibliocommons.com/v2/record/S91C2099594</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://pima.bibliocommons.com/item/comment/2099594091</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;userID=TPPL101&amp;password=CC85701&amp;Value=9781982106638&amp;content=M&amp;Return=1&amp;Type=M</image_url></item></channel></rss>