<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[subject results for "Interviews."]]></title><description><![CDATA[subject results for "Interviews."]]></description><link>https://gateway.bibliocommons.com/v2/libraries/princetonlibrary/rss/search?query=%22Interviews.%22&amp;searchType=subject&amp;origin=core-catalog-explore&amp;page=2&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Sun, 19 Apr 2026 14:32:09 GMT</lastBuildDate><item><title><![CDATA[What Makes An Apple?]]></title><description><![CDATA["This book consists of six conversations between Amos Oz and Shira Hadad, who worked closely with Oz as the editor of his novel Judas. The interviews, which took place toward the end of Oz's life, about a decade after the publication of his memoir A Tale of Love and Darkness, capture the writer's thoughts and opinions on many of the subjects that occupied him throughout his life and career, including writing and creation, guilt and love, death and the afterlife. In the first interview, "A Heart Pierced by an Arrow," Oz discusses how he became a writer, along with his writing process and its attendant challenges. "Sometimes" explores Oz's reflections on men, women, and relationships across his experience and work. "A Room of Your Own" sketches his development as a writer on the kibbutz and his eventual decision to leave. In "When Someone Beats up Your Child," Oz discusses the critical reception of his work, and in "What No Writer Can Do" he describes his experience teaching literature, including his thoughts on contemporary modes of literary instruction. In the concluding piece, "The Lights Have Been Changing Without Us for a Long Time," he reflects on other writers and on changes he has observed in himself and others over time. The title comes from a passage in the first interview: Oz says, "What makes an apple? Water, earth, sun, an apple tree, and a bit of fertilizer. But it doesn't look like any of those things. It's made of them but it is not like them. That's how a story is: it certainly is made up of the sum of encounters and experiences and listening.""--]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1454599</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1454599</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Oz, Amos]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1454599057</comments><format>BK</format><subtitle>Six Conversations About Writing, Love, Guilt, and Other Pleasures</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780691219905/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Ge shi de tiao wang]]></title><description><![CDATA[Summary in Chinese.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1463068</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1463068</guid><category><![CDATA[BK]]></category><category><![CDATA[chi]]></category><dc:creator><![CDATA[Yongshan, Yang]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1463068057</comments><format>BK</format><subtitle>Yongshan yang he ta de Zhongguo mu qin</subtitle><language>chi</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9787305258855/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Conversations]]></title><description><![CDATA[The celebrated minimalist composer looks back on his career through a series of conversations with past collaborators, fellow composers, and musicians influenced by his work, such as Brian Eno, Stephen Sondheim, Johnny Greenwood, and Nico Muhly.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1450272</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1450272</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Reich, Steve]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1450272057</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781335425720/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Extraordinary Life of An Ordinary Man]]></title><description><![CDATA["The raw, candid, unvarnished memoir of an American icon Several years before he died in 2008, Paul Newman commissioned his best friend to interview actors and directors he worked with, his friends, his children, his first wife, his psychiatrist, and Joanne Woodward, to create an oral history of his life. After hearing and reading what others said about him, Newman then dictated his own version of his life. Now, this long-lost memoir-90% Newman's own narrative, interspersed with wonderful stories and recollections by his family, friends, and such luminaries as Elia Kazan, Tom Cruise, George Roy Hill, Martin Ritt-will be published. This book will surprise and even shock people, it reveals unknown sides of Paul Newman: funny and tragic, charming and insightful, personal and professional. Newman's traumatic childhood is brilliantly detailed: his terrible relationship with his mother (he says she always considered him purely a decoration, not an actual child), his complicated relationship with his father (who once insisted eight-year-old Paul walk home several miles with a broken leg). He talks with extraordinary honesty, insight and humor, about his insecurities as a teenager, his lack of success with women, his feelings of failure. Tales of his army years feel like a movie in itself. His college years, his early yearnings to be an actor, learning his craft, his acting rivals at the beginning of his career (Brando and Dean), his films (good and bad) - he spares no one, including himself. He discusses the complicated relationship he had with his first wife, his son Scott's death, and his guilt about that death. Perhaps the most moving material in the book comes when he discusses Joanne Woodward-their love for each other, his dependence on her, even their sexually charged life together"--]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1456714</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1456714</guid><category><![CDATA[AB]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Newman, Paul]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1456714057</comments><format>AB</format><subtitle>A Memoir</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780593627594/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Ch'oe Chae-ch'ŏn ŭi kongbu]]></title><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1465374</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1465374</guid><category><![CDATA[BK]]></category><category><![CDATA[kor]]></category><dc:creator><![CDATA[Choe, Jae C.]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1465374057</comments><format>BK</format><subtitle>ŏttŏk&apos;e paeumyŏ sal kŏt in&apos;ga</subtitle><language>kor</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9788934943457/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Hangman and His Wife]]></title><description><![CDATA["A biography of Reinhard Heydrich and his wife, Lina von Osten Heydrich"--]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1452196</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1452196</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Dougherty, Nancy]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1452196057</comments><format>BK</format><subtitle>The Life and Death of Reinhard Heydrich</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780394543413/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Faith, Hope and Carnage]]></title><description><![CDATA["Faith, Hope and Carnage is a book about Nick Cave's inner life created from more than forty hours of intimate conversations with Seań O'Hagan"--]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1455065</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1455065</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Cave, Nick]]></dc:creator><pubDate>Mon, 31 Jan 2022 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1455065057</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780374607371/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Beatles]]></title><description><![CDATA[Drawing on over 120 hours of sound recordings, this official account of the creation of the Beatles' final album, "Let It Be," told in their own words, comes to life with hundreds of previously unpublished images.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1447688</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1447688</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1447688057</comments><format>BK</format><subtitle>Get Back</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780935112962/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Tinderbox]]></title><description><![CDATA[Drawing on more than 750 interviews with key sources, an award-winning journalist captures the drama and comedy off-camera and inside boardrooms as HBO created and mobilized a daring new content universe, upending our entertainment lives forever.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1449079</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1449079</guid><category><![CDATA[AB]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Miller, James A.]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1449079057</comments><format>AB</format><subtitle>HBO&apos;s Ruthless Pursuit of New Frontiers</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781250807908/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Above the Reich]]></title><description><![CDATA["Sensational eyewitness accounts from the most heroic and legendary American aviators of World War II, never before published as a book"--]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1442399</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1442399</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Heaton, Colin D.]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1442399057</comments><format>BK</format><subtitle>Deadly Dogfights, Blistering Bombing Raids, and Other War Stories From the Greatest American Air Heroes of World War II, in Their Own Words</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780593183885/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Lee Eoryoeng ui majimak sueop]]></title><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1465360</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1465360</guid><category><![CDATA[BK]]></category><category><![CDATA[kor]]></category><dc:creator><![CDATA[Kim, Jisu (Journalist)]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1465360057</comments><format>BK</format><subtitle/><language>kor</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9791170400523/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[What Happened to You?]]></title><description><![CDATA[Oprah Winfrey and renowned brain development and trauma expert Dr. Bruce Perry discuss the impact of trauma and adverse experiences and how healing must begin with a shift to asking what happened to a person, rather than what's wrong with them.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1442298</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1442298</guid><category><![CDATA[AB]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Perry, Bruce D.]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1442298057</comments><format>AB</format><subtitle>Conversations on Trauma, Resilience, and Healing</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781250260635/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Empress and I]]></title><description><![CDATA[In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi's patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection--most of which continues to languish in storage--is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and I is a vivid account of Stein's experience at the height of this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today's art world. --Publisher]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1442621</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1442621</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Stein, Donna]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1442621057</comments><format>BK</format><subtitle>How An Ancient Empire Collected, Rejected and Rediscovered Modern Art</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9788857244341/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Ceng yan xiu fang tan lu]]></title><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1441640</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1441640</guid><category><![CDATA[BK]]></category><category><![CDATA[chi]]></category><dc:creator><![CDATA[Zeng, Yanxiu]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1441640057</comments><format>BK</format><subtitle/><language>chi</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9787020156498/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Wu hou de sui yue]]></title><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1431580</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1431580</guid><category><![CDATA[BK]]></category><category><![CDATA[chi]]></category><dc:creator><![CDATA[Ye, Zhaoyan]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1431580057</comments><format>BK</format><subtitle/><language>chi</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9787544779111/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[No Rules Rules]]></title><description><![CDATA["Netflix cofounder Reed Hastings reveals for the first time the unorthodox culture behind one of the world's most innovative, imaginative, and successful companies There's never before been a company like Netflix. Not only because it has led a revolution in the entertainment industries; or because it generates billions of dollars in annual revenue; or even because it is watched by hundreds of millions of people in nearly 200 countries. When Reed Hastings co-founded Netflix, he developed a set of counterintuitive and radical management principles, defying all tradition and expectation, which would allow the company to reinvent itself over and over on the way to becoming one of the most loved brands in the world. Rejecting the conventional wisdom under which other companies operate, Reed set new standards, valuing people over process, emphasizing innovation over efficiency, and giving employees context, not controls. At Netflix, adequate performance gets a generous severance and hard work is irrelevant. At Netflix, you don't try to please your boss, you practice radical candor instead. At Netflix, employees never need approval, and the company always pays top of market. When Hastings and his team first devised these principles, the implications were unknown and untested, but over just a short period of time they have led to unprecedented flexibility, speed, and boldness. The culture of freedom and responsibility has allowed the company to constantly grow and change as the world, and its members' needs, have also transformed. Here for the first time, Hastings and Erin Meyer, bestselling author of The Culture Map and one of the world's most influential business thinkers, dive deep into the controversial philosophies at the heart of the Netflix psyche, which have generated results that are the envy of the business world. Drawing on hundreds of interviews with current and past Netflix employees from around the globe and never-before-told stories of trial and error from his own career, No Rules Rules is the full, fascinating, and untold story of a unique company making its mark on the world"--]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1430522</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1430522</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Hastings, Reed]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1430522057</comments><format>BK</format><subtitle>Netflix and the Culture of Reinvention</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781984877864/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Let Us Dream]]></title><description><![CDATA[The leader of the Catholic Church discusses what the COVID-19 crisis revealed about the cruelty and inequality of society, what it can teach about handling upheaval, and how to make the world safer, fairer, and healthier for all people.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1433028</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1433028</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Francis, Pope]]></dc:creator><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1433028057</comments><format>BK</format><subtitle>The Path to A Better Future</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781982171865/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Scorsese Shorts]]></title><description><![CDATA[This compilation of five early short films by Martin Scorsese offers a fascinating window onto his artistic development. Spanning the years from Scorsese's time at NYU in the mid-1960s to the late '70s.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1434629</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1434629</guid><category><![CDATA[BLURAY]]></category><category><![CDATA[eng]]></category><pubDate>Fri, 31 Jan 2020 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1434629057</comments><format>BLURAY</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781681437231/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=&amp;upc=715515246415</image_url></item><item><title><![CDATA[The End]]></title><description><![CDATA[Badiou, in dialogue with Giovanbattista Tusa, argues that we must renounce 'the pathos of completion' and continue to think philosophically. To accept the atrocities of the twentieth century as marking the end of philosophy is intolerable precisely because it buys into the totalizing doctrines of the perpetrators. Badiou contends that philosophical thinking is needed now more than ever to counter the totalizing effects of globalized capitalism, which prescribes no objective for human life other than integration into its system, giving rise to a widespread sense of hopelessness and nihilism. --From publisher description]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1415840</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1415840</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Badiou, Alain]]></dc:creator><pubDate>Thu, 31 Jan 2019 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1415840057</comments><format>BK</format><subtitle>A Conversation</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781509536276/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Prince]]></title><description><![CDATA[There is perhaps no musician who has had as much influence on the sound of contemporary American music than Prince. His pioneering compositions brought a variety of musical genres into a singular funky and virtuosic sound. In this remarkable collection, and with his signature mix of seduction and demur, the late visionary reflects on his artistry, identity, and the sacrifices and soul-searching it took to stay true to himself. An Introduction by Hanif Abdurraqib offers astute, contemporary perspective and brilliantly contextualizes the collected interviews.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1408094</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1408094</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Prince]]></dc:creator><pubDate>Thu, 31 Jan 2019 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1408094057</comments><format>BK</format><subtitle>The Last Interview and Other Conversations</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781612197456/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Conversations About Sculpture]]></title><description><![CDATA[Drawn from talks between celebrated artist Richard Serra (b. 1938) and acclaimed art historian Hal Foster held over a fifteen-year period, this volume offers revelations into Serra's prolific six-decade career and the ideas that have informed his working practice. Conversations about Sculpture is both an intimate look at Serra's life and work, with candid reflections on personal moments of discovery, and a provocative examination of sculptural form from antiquity to today. Serra and Foster explore such subjects as the artist's work in steel mills as a young man; the impact of music, dance, and architecture on his art; the importance of materiality and site specificity to his aesthetic; the controversies and contradictions his work has faced; and his belief in sculpture as experience. They also discuss sources of inspiration-from Donatello and Brancusi to Japanese gardens and Machu Picchu-revealing a history of sculpture across time and culture through the eyes of one of the medium's most brilliant figures.Introduced with an insightful preface by Foster, this probing dialogue is beautifully illustrated with duotone images that bring to life both Serra's work and his key commitments.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1404775</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1404775</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Serra, Richard]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1404775057</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780300235968/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Pope Francis]]></title><description><![CDATA[Presents a timely examination of the future of the Catholic Church that urges believers to build a bridge between generations, explaining that God has the energy, spontaneity, and motivation to rally necessary changes throughout today's conflicted world.]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1402582</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1402582</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Francis, Pope]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1402582057</comments><format>BK</format><subtitle>God Is Young</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781984801401/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Our Father]]></title><description><![CDATA[This new work by Pope Francis illuminates the most important prayer in all of Christianity, verse by verse, in conversation with Father Marco Pozza, a theologian and a prison chaplain in Padua, Italy. Here Francis offers unprecedented insight on Jesus's most profound words, while exploring the importance of social justice, benevolence, and forgiveness, key elements of Bergoglio's papacy. Our Father: The Lord's Prayer looks to address the concerns and hopes of today's men and women, seeking to become a guide to living a life that is full of meaning, purpose, and strength. "It takes courage to truly believe that God is the Father that accompanies us, forgives us, gives us bread, is attentive to everything we ask...what if it is not true?" the Pope writes. Challenging this doubt, he issues a call to "dare...help each other, one another to dare."]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1395085</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1395085</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Francis, Pope]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1395085057</comments><format>BK</format><subtitle>Reflections on the Lord&apos;s Prayer : A Conversation With Marco Pozza</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780525576112/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Antigone Undone]]></title><description><![CDATA["Antigone Undone offers an urgent and mesmerizing account of the creative and destructive power of great art. In 2015 Will Aitken journeyed to Luxembourg for the rehearsals and premiere of Anne Carson's translation of Sophokles' 5th-century BCE tragedy Antigone, starring Juliette Binoche and directed by theatrical sensation Ivo van Hove. In repeatedly watching the play, he became awestruck with the plight of the young woman at the centre of the action. "Look at what these men are doing to me," Antigone cries, expressing the predicament of the dispossessed throughout time. Transfixed by the strange and uncanny power of the play, he finds himself haunted by its protagonist, finally resulting in his own suicidal breakdown. With a backstage view of the action, Aitken illuminates the creative process of Carson, Binoche, and Van Hove and offers a rare glimpse into collaborative genius in action. He also investigates the response to the play by Kierkegaard, Virginia Woolf, Judith Butler, and others who, like him, were moved by its timeless protest against injustice."--]]></description><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1394934</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1394934</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Aitken, Will]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1394934057</comments><format>BK</format><subtitle>Juliette Binoche, Anne Carson, Ivo Van Hove, and the Art of Resistance</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780889775213/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Vremi͡a Berezovskogo]]></title><link>https://princetonlibrary.bibliocommons.com/v2/record/S57C1407545</link><guid isPermaLink="true">https://princetonlibrary.bibliocommons.com/v2/record/S57C1407545</guid><category><![CDATA[BK]]></category><category><![CDATA[rus]]></category><dc:creator><![CDATA[Aven, P. O.]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://princetonlibrary.bibliocommons.com/item/comment/1407545057</comments><format>BK</format><subtitle/><language>rus</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9785171047917/MC.GIF&amp;client=pricp&amp;type=xw12&amp;oclc=</image_url></item></channel></rss>