Now, at her most intimate and vulnerable, she unveils a story not even those closest to her fully know. She returns to the diaries she kept her whole life, finding the pain matched by joy, the losses mitigated by the extraordinary, and the weight of life lifted by her unrelenting belief that something greater lay ahead. No longer willing to lock herself away and with the perspective only our own mortality can bring, she knew it was imperative to tell it all. 
                   
You with the Sad Eyes presents a remarkable woman and her legacy. In her own words, “I truly believe that books can make people feel less alone. That’s why I’m doing this. You with the Sad Eyes won’t be some big violin scratching for my life. But it will be real. It will be filled with the ups and downs, the humor and grief of life.
So here I am.
Real me.
Lots to say.”

From the visionary New York Times bestselling author, a revelatory work of narrative nonfiction exploring beauty in the desert, climate change, and, transformative moments of power in a world beset by uncertainty

Whether we believe it or not, rapid change is upon us. I am searching for grace.

In this time of political fragility, climate chaos, and seeking beauty wherever we can find its glimmer, Terry Tempest Williams introduces us to the Glorians. They are not distant deities, but the ordinary, often overlooked presences—animal, plant, memory, moment—that reveal our shared vulnerability and interconnectedness with the natural world. The Glorians can be as small as an ant ferrying a coyote willow blossom to its queen or as commonplace as the night sky. But what they can collectively show us—about the radical act of attending to beauty and carrying forward against all odds—is immense.

Journeying through encounters with the Glorians in the red rock desert of Utah during the pandemic to Harvard University where she teaches in the Divinity School, Williams weaves a story of astonishing personal and societal insight. As she grapples with the unsettled state of the world, she turns not to despair but to deep reflection. She sees how the Glorians are calling us to attention, not as an army, but as fellow inhabitants of our sacred, threatened home. They remind us of the power of contact between species and the profound courage—and awareness—it will take to dream a more cohesive future into being.

Wise and lyrical, The Glorians is a testament to the power of witness, a field guide to finding grace in the unexpected, and a moving invitation to engage with one another and our surroundings with renewed intention. In a modern world filled with increasing noise and anxiety, Terry Tempest Williams offers honest sustenance for the mind and spirit and distinguishes herself again as a trusted voice to whom we can turn to more fully understand our times.

Amazon Editor's Pick

"An intimate, moving look at the war that extracts deep meaning from the carnage and loss." – Publishers Weekly

What happens when you lose your freedom and the people who eventually get it back for you are no longer alive to thank?

Remember Us, by Robert Edsel—#1 New York Times bestselling author of The Monuments Men—begins in the pre-dawn hours of Hitler's invasion of Western Europe on May 10, 1940, when his forces rolled into the small rural province of Limburg in the Netherlands shattering more than 100 years of peace. Their freedom gone, the Dutch lived through four-and-a-half years of occupation until American forces reached Limburg in September 1944, the last portion of Western Europe liberated by the Allies before their advance on Nazi Germany slammed to a halt.

Like The Monuments Men, Remember Us is an ensemble piece that follows twelve main characters over a six-year span, zeroing in on ordinary people including Frieda van Schäik, a teenager who falls in love with an American soldier; Lieutenant Colonel Robert Cole, the first member of the 101st Airborne to receive the Medal of Honor; and Sergeant Jeff Wiggins of the 960th Quartermaster Service Company, who escaped the poverty and racism of Alabama for yet another indignity—digging graves.

Drawing on never-before-seen letters, diaries, and other historical records, Edsel shows the painful price of freedom, on the battlefields and inside American homes. In this rich, dramatic, and suspenseful story, he captures both the horrors of war and the transcendent power of gratitude, showing the extraordinary measures the Dutch have taken to thank their liberators. Remember Us is exactly the book we need—a reminder that grief is universal, that humanity knows no national or racial boundaries, and that we all want to be remembered, somehow, someway, by somebody.

"This mouth has gotten me in so much trouble." —Lisa Rinna

For decades, Lisa Rinna has been captivating audiences—whether as a soap opera icon, reality TV powerhouse, fearless social media provocateur or slaying in haute couture down the catwalks of Paris. But even though she's always said it like she means it, there's still so much more to the woman whose lips launched a thousand memes.

In You Better Believe I'm Gonna Talk About It, Lisa peels back the curtain on her rollercoaster career and her unapologetic approach to life, dishing on the highs, the lows, and the "did-she-really-just-say-that?" moments that made her a household name. Yes, she's spilling all the tea from the soundstages of Days of Our Lives to the drama of The Real Housewives of Beverly Hills, but she's also opening up about what it means to grow older in an industry obsessed with youth, the lessons she's learned about reinvention, parenting a daughter with a chronic illness, keeping her well-documented marriage alive and healthy, and being forced to grieve in public after the loss of her mother and beloved Beverly Hills fan favorite, Lois.

Bold, brash, refreshingly honest, and told with her signature wit and candor, You Better Believe I'm Gonna Talk About It is the story of a woman who understands that you go the furthest by playing by your own rules. It's the story of a woman who realizes aging is just a chance at a new chapter. It's the story of a Hollywood icon who refuses to let the world script her story for her. And she's owning every bit of it, baby!

What can we learn from an ordinary life observed with extraordinary skill? In The Irish Goodbye, Beth Ann Fennelly writes of the small moments that shape a life, whether moving or perplexing or troubling or gladdening, in the process dignifying the diminutive through the act of attention. Fennelly explores her roles as a friend, wife, mother, and daughter, documenting a brush with an old flame or the devastating death of her sister in crystalline, precise sentences.

The longer essays concern Fennelly's relationships—with a beloved mother-in-law, a decades-long friendship between five former college roommates, an artist who paints a series of nude portraits in Fennelly's town, for which she poses. Interspersed between these longer memoirs are sections of flash nonfiction, a form Fennelly innovated in the genre-defying Heating & Cooling. With dazzling verve and wit, they capture the interstitial interactions—encounters with strangers, quirky observations, unexpected flights of fancy—that make up a richly lived life.

From a childhood survivor of the Cambodian genocide under the regime of Pol Pot, this is a riveting narrative of war crimes and desperate actions, the unnerving strength of a small girl and her family, and their triumph of spirit.

One of seven children of a high-ranking government official, Loung Ung lived a privileged life in the Cambodian capital of Phnom Penh until the age of five. Then, in April 1975, Pol Pot's Khmer Rouge army stormed into the city, forcing Ung's family to flee and, eventually, to disperse. Loung was trained as a child soldier in a work camp for orphans, her siblings were sent to labor camps, and those who survived the horrors would not be reunited until the Khmer Rouge was destroyed.

Harrowing yet hopeful, Loung's powerful survival story is an unforgettable memoir of a family shaken and shattered, yet miraculously sustained by courage and love in the face of unspeakable brutality.

How does a family's love endure when a nation is consumed by hate?

Acclaimed journalist Julia Ioffe tells the story of modern Russia through the history of its women, from revolution to utopia to autocracy.

In 1990, seven-year-old Julia Ioffe and her family fled the Soviet Union. Nearly twenty years later, Ioffe returned to Moscow—only to discover just how much Russian society had changed while she had been living in America. The Soviet women she had known growing up—doctors, engineers, scientists—seemed to have been replaced by women desperate to marry rich and become stay-at-home moms. How had Russia gone from portraying itself as the vanguard of world feminism to becoming a bastion of conservative Christian values?

In Motherland, Ioffe turns modern Russian history on its head, telling it exclusively through the stories of its women. From her own physician great-grandmothers to Lenin's lover, a feminist revolutionary; from the hundreds of thousands of Soviet girls who fought in World War II to the millions of single mothers who rebuilt and repopulated a devastated country; from the members of Pussy Riot to Yulia Navalnaya, the wife of opposition leader Alexey Navalny, Ioffe chronicles one of the most audacious social experiments in history and documents how it failed the very women it was meant to liberate—and how that failure paved the way for the revanche of Vladimir Putin.

Part memoir, part journalistic exploration, part history, Motherland paints a portrait of modern Russia through the women who shaped it. With deep emotion, Ioffe reveals what it means to live through the cataclysms of revolution, war, idealism, and heartbreak—and how the story of Russia today is inextricably tied to the sacrifices of its women.

This meticulously researched history interweaves the personal and the political to explore:

"An immersive, devastating look at foster children's lives." (Seattle Times)

A compelling exploration of the broken American foster care system, told through the stories of six former foster youth. This powerful narrative nonfiction book delves into the systemic failures that lead many foster children into the criminal justice system, highlighting the urgent need for reform.

​This book is a must-read for anyone interested in child welfare, social justice, and the transformative power of the best narrative nonfiction.

In Wards of the State, award-winning journalist Claudia Rowe's storytelling is both vivid and unflinching, offering readers a deep understanding of the foster care-to-prison pipeline. Through interviews with psychologists, advocates, judges, and the former foster children themselves, Rowe paints a heartbreaking picture of the lives shaped by this broken system.

By the time Maryanne was 16 years old, she had been arrested for murder. In and out of foster and adoptive homes since age 10, she'd run away, been trafficked and assaulted, and finally pointed a gun at a man and pulled the trigger. She fled, but it didn't take long for the police to catch up with her.

In court, the defense blamed neither traffickers, nor Maryanne, but Washington state itself—or rather, its foster care system, which parents thousands of children every year. The courts didn't listen to that argument, but award-winning journalist Claudia Rowe did.

Washington state isn't alone. Each year, hundreds of thousands of children grow up in America's $30 billion foster care system, only to leave and enter its prisons, where a quarter of all inmates are former foster youth.

Weaving Maryanne's story with those of five other foster kids across the country—including an 18-year-old sleeping on the New York City subways; a dropout turned graduate student; and a foster child who is now a policy advisor to the White House—Rowe paints a visceral survival narrative showing exactly where, when, and how the system channels children into locked cells.

Rowe brings her extensive experience and investigative prowess to this eye-opening work. With a career spanning over 25 years, Rowe has written for publications such as The New York Times and Mother Jones, and her reporting has influenced policy changes in Washington State. Her previous book, The Spider and the Fly, was a gripping true-crime memoir that showcased her ability to blend personal narrative with broader social issues.