<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[subject results for "Rock musicians — United States — Interviews."]]></title><description><![CDATA[subject results for "Rock musicians — United States — Interviews."]]></description><link>https://gateway.bibliocommons.com/v2/libraries/toledo/rss/search?query=%22Rock%20musicians%20%E2%80%94%20United%20States%20%E2%80%94%20Interviews.%22&amp;searchType=subject&amp;origin=core-catalog-explore&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Wed, 15 Apr 2026 22:06:13 GMT</lastBuildDate><item><title><![CDATA[Sharing in the Groove]]></title><description><![CDATA[Sharing in the Groove is the untold oral history behind the unlikely rise of Phish, Dave Matthews Band, Widespread Panic, Blues Traveler, and numerous other bands that helped define the 1990s jam band scene - a scene that paved the way for modern-day cultural institutions such as the Bonnaroo Music Festival, as well as kept the Grateful Dead ethos alive. It was also a scene with its own values and its own unique interactions with fame, record labels, MTV, drugs, and success. As a veteran music journalist, Mike Ayers has been to more than 130 Phish shows, 20 Grateful Dead shows, and countless others by the bands profiled in this book. In the mid-90s, he stumbled upon a job working backstage for Phish as a prep cook in exchange for all-access passes for the night's show, and ended up doing this for years. Later in the decade, he dabbled in the taping scene and recorded numerous shows that are still circulated online today. Filled with anecdotes and stories directly from the musicians, promoters, managers, roadies, producers, label executives, and fans that lived this scene, Sharing in the Groove is a fun, fast-paced oral history that will appeal to music lovers everywhere. --Amazon.]]></description><link>https://toledo.bibliocommons.com/v2/record/S218C2407209</link><guid isPermaLink="true">https://toledo.bibliocommons.com/v2/record/S218C2407209</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Ayers, Mike]]></dc:creator><pubDate>Fri, 31 Jan 2025 00:00:00 GMT</pubDate><comments>https://toledo.bibliocommons.com/item/comment/2407209218</comments><format>BK</format><subtitle>The Untold Story of the &apos;90s Jam Band Explosion and the Scene That Followed</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781250287458/MC.GIF&amp;client=tlcovega&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Loaded]]></title><description><![CDATA["Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this definitive oral history celebrates not only the impact of The Velvet Underground but their legacy, which burns brighter than ever in the 21st century. Rebellion always starts somewhere, and in the music world of the transgressive teen-whether it be the 1960s or the 2020s-The Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band-a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory-The Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sexat a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from LouReed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band's whirlwind of subversion and, in a narrative rich in drama and detail, proves why The Velvets remain the original kings and queens of edge." -- Provided by publisher.]]></description><link>https://toledo.bibliocommons.com/v2/record/S218C2371848</link><guid isPermaLink="true">https://toledo.bibliocommons.com/v2/record/S218C2371848</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Jones, Dylan]]></dc:creator><pubDate>Tue, 31 Jan 2023 00:00:00 GMT</pubDate><comments>https://toledo.bibliocommons.com/item/comment/2371848218</comments><format>BK</format><subtitle>The Life (and Afterlife) of the Velvet Underground</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781538756560/MC.GIF&amp;client=tlcovega&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Jerry on Jerry]]></title><link>https://toledo.bibliocommons.com/v2/record/S218C2139584</link><guid isPermaLink="true">https://toledo.bibliocommons.com/v2/record/S218C2139584</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Garcia, Jerry]]></dc:creator><pubDate>Sat, 31 Jan 2015 00:00:00 GMT</pubDate><comments>https://toledo.bibliocommons.com/item/comment/2139584218</comments><format>BK</format><subtitle>The Unpublished Jerry Garcia Interviews</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780316389594/MC.GIF&amp;client=tlcovega&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Kurt Cobain]]></title><description><![CDATA[In July 1993, Nirvana was the biggest band in the world, and Kurt Cobain was subject to an intense level of celebrity and public scrutiny. Only nine months later, Cobain killed himself. It was the last formal photo shoot Nirvana ever did, and one of the last major interviews Cobain ever gave.]]></description><link>https://toledo.bibliocommons.com/v2/record/S218C2095354</link><guid isPermaLink="true">https://toledo.bibliocommons.com/v2/record/S218C2095354</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Frohman, Jesse]]></dc:creator><pubDate>Fri, 31 Jan 2014 00:00:00 GMT</pubDate><comments>https://toledo.bibliocommons.com/item/comment/2095354218</comments><format>BK</format><subtitle>The Last Session</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780500517642/MC.GIF&amp;client=tlcovega&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Hendrix on Hendrix]]></title><link>https://toledo.bibliocommons.com/v2/record/S218C2015921</link><guid isPermaLink="true">https://toledo.bibliocommons.com/v2/record/S218C2015921</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><pubDate>Tue, 31 Jan 2012 00:00:00 GMT</pubDate><comments>https://toledo.bibliocommons.com/item/comment/2015921218</comments><format>EBOOK</format><subtitle>Interviews and Encounters With Jimi Hendrix</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781613743232/MC.GIF&amp;client=tlcovega&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Conversations With Tom Petty]]></title><link>https://toledo.bibliocommons.com/v2/record/S218C1777318</link><guid isPermaLink="true">https://toledo.bibliocommons.com/v2/record/S218C1777318</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Zollo, Paul]]></dc:creator><pubDate>Mon, 31 Jan 2005 00:00:00 GMT</pubDate><comments>https://toledo.bibliocommons.com/item/comment/1777318218</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781844498154/MC.GIF&amp;client=tlcovega&amp;type=xw12&amp;oclc=</image_url></item></channel></rss>