<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[author results for Kaufman, Amy]]></title><description><![CDATA[author results for Kaufman, Amy]]></description><link>https://gateway.bibliocommons.com/v2/libraries/vaughanpl/rss/search?query=Kaufman%2C%20Amy&amp;searchType=author&amp;origin=core-catalog-explore&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Sun, 19 Apr 2026 23:16:06 GMT</lastBuildDate><item><title><![CDATA[Bachelor Nation]]></title><link>https://vaughanpl.bibliocommons.com/v2/record/S130C402868</link><guid isPermaLink="true">https://vaughanpl.bibliocommons.com/v2/record/S130C402868</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Kaufman, Amy]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://vaughanpl.bibliocommons.com/item/comment/402868130</comments><format>BK</format><subtitle>Inside the World of America&apos;s Guilty Pleasure</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781101985908/MC.GIF&amp;client=vaugp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Bachelor Nation]]></title><description><![CDATA[For sixteen years and thirty-five seasons, the Bachelor franchise has been a mainstay in the lives of American television viewers. Since it premiered in 2002, the show's popularity and relevance have only grown. Bestselling writers and famous actors live-tweet about it. Die-hard fans -- dubbed 'Bachelor Nation' -- participate in fantasy leagues and viewing parties. And more than eight million viewers tuned in to see the conclusion of 2017's season. Los Angeles Times journalist Amy Kaufman is a proud member of Bachelor Nation and has a long history with the franchise. ABC even banned her from attending show events after her coverage of the program got a little too real for its liking. She has interviewed dozens of producers, contestants, and celebrity fans to give readers never-before-told details of the show's inner workings: what it's like to be trapped in the mansion 'bubble'; dark tales of producer manipulation; and revelations about the alcohol-fueled debauchery that occurs long before the Fantasy Suite. Kaufman also explores what our fascination means, culturally: what the show says about the way we view so-called ideal suitors; why we have a subconscious yearning for fairy-tale romance; and how this enduring television show has shaped society's feelings about love, marriage, and feminism by appealing to a marriage plot that's as old as the best of Jane Austen.]]></description><link>https://vaughanpl.bibliocommons.com/v2/record/S130C448442</link><guid isPermaLink="true">https://vaughanpl.bibliocommons.com/v2/record/S130C448442</guid><category><![CDATA[EBOOK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Kaufman, Amy]]></dc:creator><pubDate>Wed, 31 Jan 2018 00:00:00 GMT</pubDate><comments>https://vaughanpl.bibliocommons.com/item/comment/448442130</comments><format>EBOOK</format><subtitle>Inside the World of America&apos;s Guilty Pleasure</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9781101985922/MC.GIF&amp;client=vaugp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[The Traitor of Sherwood Forest]]></title><description><![CDATA["A sultry, immersive, and heart-pounding historical reimagining of the Robin Hood ballads, told through the piercing eyes of one of his spies Jane Crow spends her long days working hard, trying to make ends meet for her family. When her mother takes a new man, abruptly abandoning Jane, her lover Bran offers to take her to the woods to walk a new path-that of the infamous Lord of the Greenwood: Robin Hood. While no one else has ever seen Jane for much of ... well, anything, Robin sees her quiet, unassuming nature for all its potential. He needs a spy in the King's Houses; Jane accepts. At first, her work for Robin seems straightforward enough: observe and report on the various nobles who make their way through the King's Houses, including the new Sheriff of Nottingham, who would like nothing more than to see Robin Hood's head on a spike. But the more Jane is drawn into Robin's world, the more she's drawn to Robin himself: a man as charismatic as he is cunning, capable of plucking at her heart as easily as he notches an arrow. As his schemes get increasingly complex-and shockingly violent-Jane starts to suspect that Robin's good deeds have a darker edge: that he may care more about cementing his own legacy than he cares about the common people. And that, despite his declarations of affection, she might be just another game to him. Another object to be stolen. When Jane is caught spying, her life or Robin's on the line, she must decide: is she a prize to be won, a pawn to be used and discarded-or is she an equal player in the game between nobles and thieves?"-- Provided by publisher.]]></description><link>https://vaughanpl.bibliocommons.com/v2/record/S130C707192</link><guid isPermaLink="true">https://vaughanpl.bibliocommons.com/v2/record/S130C707192</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Kaufman, Amy S.]]></dc:creator><pubDate>Fri, 31 Jan 2025 00:00:00 GMT</pubDate><comments>https://vaughanpl.bibliocommons.com/item/comment/707192130</comments><format>BK</format><subtitle></subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780143138129/MC.GIF&amp;client=vaugp&amp;type=xw12&amp;oclc=</image_url></item></channel></rss>