<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[author results for Saltzman, Cynthia]]></title><description><![CDATA[author results for Saltzman, Cynthia]]></description><link>https://gateway.bibliocommons.com/v2/libraries/westvanlibrary/rss/search?query=Saltzman%2C%20Cynthia&amp;searchType=author&amp;origin=core-catalog-explore&amp;view=grouped</link><generator>RSS for Node</generator><lastBuildDate>Fri, 10 Apr 2026 12:50:56 GMT</lastBuildDate><item><title><![CDATA[Old Masters, New World]]></title><link>https://westvanlibrary.bibliocommons.com/v2/record/S74C1414295</link><guid isPermaLink="true">https://westvanlibrary.bibliocommons.com/v2/record/S74C1414295</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Saltzman, Cynthia]]></dc:creator><pubDate>Thu, 31 Jan 2008 00:00:00 GMT</pubDate><comments>https://westvanlibrary.bibliocommons.com/item/comment/1414295074</comments><format>BK</format><subtitle>America&apos;s Raid on Europe&apos;s Great Pictures</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780143115311/MC.GIF&amp;client=westp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Plunder]]></title><description><![CDATA[Cynthia Saltzman recounts the fate of Paolo Veronese's Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Saltzman chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of the Louvre museum.]]></description><link>https://westvanlibrary.bibliocommons.com/v2/record/S74C2328186</link><guid isPermaLink="true">https://westvanlibrary.bibliocommons.com/v2/record/S74C2328186</guid><category><![CDATA[BOOK_CD]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Saltzman, Cynthia]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://westvanlibrary.bibliocommons.com/item/comment/2328186074</comments><format>BOOK_CD</format><subtitle>Napoleon&apos;s Theft of Veronese&apos;s Feast</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9798200707157/MC.GIF&amp;client=westp&amp;type=xw12&amp;oclc=</image_url></item><item><title><![CDATA[Plunder]]></title><description><![CDATA[Cynthia Saltzman recounts the fate of Paolo Veronese's Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Saltzman chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of the Louvre museum.]]></description><link>https://westvanlibrary.bibliocommons.com/v2/record/S74C2130465</link><guid isPermaLink="true">https://westvanlibrary.bibliocommons.com/v2/record/S74C2130465</guid><category><![CDATA[BK]]></category><category><![CDATA[eng]]></category><dc:creator><![CDATA[Saltzman, Cynthia]]></dc:creator><pubDate>Sun, 31 Jan 2021 00:00:00 GMT</pubDate><comments>https://westvanlibrary.bibliocommons.com/item/comment/2130465074</comments><format>BK</format><subtitle>Napoleon&apos;s Theft of Veronese&apos;s Feast</subtitle><language>eng</language><image_url>https://secure.syndetics.com/index.aspx?isbn=9780374219031/MC.GIF&amp;client=westp&amp;type=xw12&amp;oclc=</image_url></item></channel></rss>